105. A Boy in a Bush
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Come along with Emily and Carla as they unpack the saddest episode of Bones EVER! Emily talks about crying on set, nailing those heart-to-heart scenes with Michaela, and how she managed to shed a single tear in this episode. And just in time for spooky season, the duo share their most frightening makeup, hair, and wardrobe horror stories of all time. Plus, emergency credit cards, free cell phones, and Emily’s adventures at the podiatrist. Will Emily and Carla end up on wikiFeet by the end of this episode? Only time will tell.
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Transcript
SPEAKERS
Emily Deschanel, Carla Gallo
Carla Gallo 00:00
I saw that song in my head. I know I kind of want. […] and then what was the words in it was like. Cope with your life or something. I love when songs are like.
Emily Deschanel 00:14
Some of us live, some of us die, something that’s, I don’t know.
Carla Gallo 00:17
I just love when songs are on the nose […] .
Emily Deschanel 00:20
We’re having a hard time.
Carla Gallo 00:21
Yeah.
Emily Deschanel 00:22
It’s sad. I’m Emily Deschanel.
Carla Gallo 00:35
And I’m Carla Gallo.
Emily Deschanel 00:37
And this is Boneheads. We’re here to talk about a boy in the bush. We talk about this from the start.
Carla Gallo 00:46
Yes, but we watch it together, which is our first time doing that.
Emily Deschanel 00:52
Yeah, we’ve watched a little bit together when we can remember what has happened.
Carla Gallo 00:55
Yeah, but no, we’re together […] . And I had to refrain from, there was only one moment towards the end when you were very dressed up that I was watching the screen, and then I looked back to you, and I was like “this is weird”. For the most part, I didn’t feel that way, because I’m used to seeing you on the show.
Emily Deschanel 01:12
I thought your gonna say, like.
Carla Gallo 01:14
You don’t look disheveled. You just look not made up.
Carla Gallo 01:14
No.
Emily Deschanel 01:14
Because I look particularly disheveled today, too.
Emily Deschanel 01:20
My hair is crazy and yeah.
Carla Gallo 01:22
There’s fly away.
Emily Deschanel 01:23
There’s a lot of fly away.
Carla Gallo 01:25
But it’s not that. It just was the weirdness of watching somebody on TV and then turning and then their next year.
Emily Deschanel 01:31
That looks very different. It’s hard to believe it’s the same person.
Carla Gallo 01:35
It’s been a couple of years. It’s not a big deal.
Emily Deschanel 01:38
I had people do my hair and makeup […] .
Carla Gallo 01:40
But you look great. You always do wonderful skin, wonderful […]
Emily Deschanel 01:45
No.
Carla Gallo 01:46
Yes.
Emily Deschanel 01:46
Well, we can talk about that, because, first of all.
Emily Deschanel 01:49
I did not have great skin.
Carla Gallo 01:49
Yeah.
Carla Gallo 01:49
No, right now you have a great skin.
Emily Deschanel 01:50
And I can see right now I have much better skin but that’s a whole other thing. I realized I was intolerant to soy. I do remember I got eggs […] and I would get eczema and break out from certain that. And I realized at a certain point that soy was causing that. Actually, in this episode, I feel like I had a horrible eczema breakout.
Carla Gallo 02:12
Well, I did notice one, but you had something […]
Carla Gallo 02:16
Oh, wow!
Emily Deschanel 02:16
The eczema would come around my eyes mostly. But no, I think I had acne. I think they digitally removed it. I think they digitally did stuff because I had bad acne. I’d already been on Accutane.
Emily Deschanel 02:19
I didn’t realize that it was caused by food.
Carla Gallo 02:30
Like food allergy.
Emily Deschanel 02:31
Yeah.
Carla Gallo 02:31
Well, I will say I appreciate you being open. I never would bring this up normally, but I do remember coming to work sometimes and your skin would have gone a little nuts.
Emily Deschanel 02:41
Yeah.
Carla Gallo 02:41
And it’s hard to bring those makeup on.
Emily Deschanel 02:43
Yeah, that’s not good […]
Carla Gallo 02:44
[…] Then you have all this makeup on. But the great news is, here we are today, and your skin looks incredible. So you know what I mean? Like, if your skin was still.
Emily Deschanel 02:50
It’s now much older, it’s aging.
Carla Gallo 02:59
But, it looks fantastic.
Emily Deschanel 02:59
I don’t get the acne. Anyways, everyone can know.
Carla Gallo 03:03
About now we’ve discussed your skin issues.
Emily Deschanel 03:06
Yes.
Carla Gallo 03:08
Then I guess there’s nothing left to talk about other than episode 105 a boy in the bush.
Emily Deschanel 03:15
Boy in the bush.
Carla Gallo 03:16
The episode was written by Steve Blackman and Greg Ball and directed by Jesus Trevino.
Emily Deschanel 03:21
This was the saddest episode.
Carla Gallo 03:24
Yes, that’s we were talking about.
Emily Deschanel 03:26
Yes.
Carla Gallo 03:26
[…] The skeleton here is just too tiny, and you really horrible. And everyone was feeling that on set, correct?
Emily Deschanel 03:36
Oh my god. […] The first skeleton I saw because they used different ones for the different stages. And the first one I saw was a clean one in the bone room, the room where the bones are clean, and they have all the bones in the wall that you know that it’s a bone room […]
Carla Gallo 03:55
Yeah.
Emily Deschanel 03:56
I’m talking to you like you don’t know.
Carla Gallo 03:58
Yeah.
Emily Deschanel 03:58
You need to talk to the people or listening. […] I got all teary. I started crying.
Carla Gallo 04:07
Really?
Emily Deschanel 04:08
On seeing that.
Carla Gallo 04:09
Very sensitive.
Emily Deschanel 04:09
I know, I started crying watching the episode.
Carla Gallo 04:12
I know.
Carla Gallo 04:13
Yeah.
Emily Deschanel 04:13
I’m the opposite of Brendan in that way, like David’s, my husband.
Emily Deschanel 04:17
And just laugh it. I mean, I’ll try liitle thing.
Carla Gallo 04:19
You try all the time?
Emily Deschanel 04:20
And then sometimes I vacillate.
Carla Gallo 04:22
Interesting.
Emily Deschanel 04:22
Sometimes I’m not so much, but I can be very sensitive.
Carla Gallo 04:26
I think it’s a good quality. […] I mean, I probably am, and that’s why every emotion is in a mason jar. And then it is seal. Itis hermetically sealed.
Emily Deschanel 04:38
You locked your heart away with Brendan’s have to do.
Carla Gallo 04:40
Yeah, I do locked away. I mean, not really. Then, of course, having kids and just the devastation of life has opened me up a lot. But I did know, two things.
Emily Deschanel 04:49
I feel like kids makes you more sense.
Emily Deschanel 04:51
Oh! I thought you were saying the opposite.
Carla Gallo 04:51
Much more sensitive.
Carla Gallo 04:52
[…] Open me up. I remember my daughter, she went to this one preschool. It was ridiculous, she did not stay there. But they would like two and a half, three years old, they’d be like “they’re learning violin”.
Emily Deschanel 05:05
Right.
Carla Gallo 05:05
And you know, it was insane. They would play, I remember the song. They were like, “Mississippi hot dog”. That’s what she would do, “Mississippi hot dog”. And so we would go to a recital. And of course, it sounded horrible. I have it, and Ifully was like crying. I was like debit, I was mortified that I was tearing up. But it was watching my child.
Emily Deschanel 05:34
I would tear up about all the preschool things.
Emily Deschanel 05:37
And it would be like doing nothing.
Carla Gallo 05:37
I am.
Carla Gallo 05:40
That was a shocked to me.
Emily Deschanel 05:40
They’re singing […] hot dog and people look at me. I’m like “I don’t know”.
Carla Gallo 05:45
I was shocked. I’d become the stereotype, which was watching my child on the stage, and I’m fully like, “I don’t know”. Anyway, that’s sad.
Emily Deschanel 06:01
Yeah.
Carla Gallo 06:02
You had told me ahead of time that you guys really never did a kid after this, because this is just too gruesome.
Emily Deschanel 06:11
Oh, it’s horrible.
Emily Deschanel 06:12
You just seen the little skeleton, unless he’s supposed to be small stature because of right genetic that comes up in the disorder. Talk about.
Carla Gallo 06:12
Yeah.
Carla Gallo 06:19
Yeah.
Emily Deschanel 06:20
Surprise, but talking it is some genetic disorder. So it was so tiny. And I don’t think we ever did another child.
Carla Gallo 06:29
I know you were saying that. I don’t remember it, but I don’t, you know.
Emily Deschanel 06:32
I can’t remember. I think that was a decision made. Yeah.
Carla Gallo 06:37
It did feel heavier this episode […] .
Emily Deschanel 06:39
And still we are also are trying to show lightness. It is really weird.
Carla Gallo 06:44
I know, because it’s a show.
Emily Deschanel 06:44
It still has to be the show. And I think that’s one thing that is probably tone.
Carla Gallo 06:48
Yeah.
Emily Deschanel 06:48
I felt like the tone, you can’t be delightness.
Carla Gallo 06:50
You can’t fully depart.
Emily Deschanel 06:54
Yeah. […] But we’re having so dark on episode, is hard to do within the world of the show.
Emily Deschanel 06:59
That’s kind of light hearted quality to bones. But definitely, we did some, that were very light hearted and some that were darker. And this is on the darker side, obviously.
Carla Gallo 06:59
Yeah.
Carla Gallo 07:07
Yeah, I definitely said that. […] Yes, there were these light moments we were talking about. There’s this scene at the end where Booth comes in, and you’re working on your book, and it’s like, very […]
Emily Deschanel 07:22
[…] He did the car guy thing.
Carla Gallo 07:24
Right?
Emily Deschanel 07:24
Right.
Carla Gallo 07:24
But he’s like “Oh, you were in the foster system”, and you’re teary eyed.
Carla Gallo 07:28
And you’re like “I’m not gonna tell you about it right now”. By the way, I got a ding in my dent. There’s a dent in my car door, and it was the quickest turn.
Emily Deschanel 07:28
Yeah.
Emily Deschanel 07:39
A really quick turn.
Carla Gallo 07:39
In a second turn, but I get it.
Emily Deschanel 07:41
On a dime.
Carla Gallo 07:42
Yeah, on a dime. But I get it too, because you can’t have a show that’s like, set up to be kind of enjoyable in itsgruesomeness. And then this episode just happened to touch a little too.
Emily Deschanel 07:52
It went real deep.
Carla Gallo 07:54
Dark.
Emily Deschanel 07:54
Yeah, deep. It’s sad. Obviously you’re dealing with a child victim, you’re dealing with sexual abuse. […] The murder of a child and a kid in the foster system.
Carla Gallo 08:04
Yeah.
Emily Deschanel 08:05
It’s just so heartbreaking.
Carla Gallo 08:08
They also let Angela. I think that made it heavier as well, because she’s so affected. You’re affected by it, but not the way she’s so deeply affected by it.
Emily Deschanel 08:19
Yeah.
Carla Gallo 08:19
To the point of maybe gonna quit the job. But, I think she really represented […], sometimes there’s someone I feel like ina movie that represents through the audience.
Carla Gallo 08:30
And I feel in this episode, it’s her. You know, it’s everything that you guys discover the knee, like kneeling on the rib cage,all that stuff.
Emily Deschanel 08:30
Yeah.
Emily Deschanel 08:40
I like the fact that she had a reaction.
Carla Gallo 08:42
Yeah.
Emily Deschanel 08:42
Because that’s how you feel as a viewer, watching that you want humanity. You don’t want these people who are don’t care about.
Carla Gallo 08:50
Yeah.
Emily Deschanel 08:51
No, judgment […] .
Carla Gallo 08:53
No judgment to to the people that don’t […] .
Emily Deschanel 08:57
And to the other squints that you know kind of desensitized to that.
Carla Gallo 09:01
But you’re not, I mean your character. Again, I thought about that thing we’ve talked about, like not incongruous, but she’s supposedly. Every episode, it’s about you know “you don’t get people, and you’re not good with people” and you’re incredibly empathetic.
Emily Deschanel 09:08
Beacuse my character had been in the foster system.
Carla Gallo 09:20
Right.
Emily Deschanel 09:20
Probably it’s easier for her empathy.
Carla Gallo 09:22
Right.
Carla Gallo 09:23
But I mean, yes. I got that, but I also got like, “Oh, she’s very […]” .
Emily Deschanel 09:23
You know?
Emily Deschanel 09:27
She has empathy.
Carla Gallo 09:28
Yeah.
Emily Deschanel 09:30
[…] She can put herself in their shoes and understands and feels terrible.
Carla Gallo 09:34
Yeah, and to the point of protecting. At that point, you guys think that child might be the murder, the brother.
Emily Deschanel 09:39
The fast adopted brother.
Carla Gallo 09:42
And the prosecutor thinks that he’s the murderer, and you’re still […] I know she’s like “you don’t know”.
Emily Deschanel 09:49
I’ve got kids, killing kids.
Carla Gallo 09:51
Right […] .
Emily Deschanel 09:54
That was disturbing.
Carla Gallo 09:56
Very well.
Emily Deschanel 09:56
Should we go through the gist of what happens?
Carla Gallo 09:59
Yeah, sure.
Emily Deschanel 10:00
Okay. So we open with Brett me, Brennan, giving a lecture. I think at American University. And Booth shows up, he asks a question, and then we go out to my car.
Carla Gallo 10:11
Oh right, this is where we see this car which of course, it couldn’t be further from what Brennan would really drive. I mean, I just too frivolous for her. I get it, they’ve given it to her, it’s very funny […] .
Emily Deschanel 10:23
This is supposed to be a good car.
Carla Gallo 10:25
Oh, right, it’s a convertible, like a Mercedes.
Emily Deschanel 10:28
Yeah, I think it is Mercedes.
Carla Gallo 10:29
Yeah, like a little sports […] .
Emily Deschanel 10:30
I think this is the only time you’ll see that car.
Carla Gallo 10:32
I would imagine, it does.
Carla Gallo 10:34
We also never in your car. You’re always in his car.
Emily Deschanel 10:34
Yes.
Emily Deschanel 10:37
And then at a certain point, I got a Prius later on, I can’t remember when there’s a Toyota tie in.
Carla Gallo 10:46
I remember that because I all of a sudden, had a scene that I don’t remember was an added scene. I don’t think I’ve talked about this yet, but it was with Hodgins, TJ, and I want to say maybe with Angela as well. And the scene was literally, like we’re going somewhere, and it’s a minivan. I’m like, “Wow, Hodgins, that’s amazing how the side door automatically opens without me touching it”. And he’s like, “Well, yeah, it makes it easier to bring things in and out”. Andthen I’m like, “Oh my God, you have screens on the back of the driver’s and passenger side?”. I mean, it was like.
Emily Deschanel 11:18
Yeah.
Carla Gallo 11:18
And I was the first time I’d ever had that, I was like, “Oh, my God, I’m doing a car commercial”.
Emily Deschanel 11:23
Yeah, in the episode.
Carla Gallo 11:25
I had never done that before.
Emily Deschanel 11:26
The real art is making that nod.
Carla Gallo 11:28
I know.
Emily Deschanel 11:29
But I think it’s hard because they have to say certain features.
Carla Gallo 11:32
Literally.
Emily Deschanel 11:32
It helps us get money for the season.
Carla Gallo 11:35
Yeah.
Emily Deschanel 11:35
We had to talk about the self parking. Brandon has a fancy convertible Mercedes, parked it sideways.
Carla Gallo 11:43
As she’s been told to which I don’t understand how you would always be able to park sideways.
Emily Deschanel 11:47
Not in Los Angeles. You’re lucky to find a parking spot there.
Carla Gallo 11:52
At all.
Emily Deschanel 11:52
That you can fit in.
Carla Gallo 11:53
That’s compact. Don’t get me started on LA parking. But essentially, there’s a missing boy named Charlie Sanders.
Emily Deschanel 12:03
Right? Well, Booth picks me up, and we join the search for this boy behind a mall.
Carla Gallo 12:09
And then you find the body and it’s very small, so you know it’s the boy. So you go to his mother, you meet his mother. And oddly, the neighbor next door, who is sitting next to very convenient […] .
Emily Deschanel 12:25
Talking about, yeah.
Carla Gallo 12:26
The gun on the wall.
Emily Deschanel 12:27
There’s a reason.
Carla Gallo 12:28
Yeah, there’s a reason that neighbors randomly there with all that information, tie that neighbor in.
Emily Deschanel 12:33
In real life, it wouldn’t be that weird that a neighbor happens […] Yeah, I’m sure people have all kinds of people around them when their son is missing.
Carla Gallo 12:43
Yeah.
Emily Deschanel 12:43
But, it just on a TV show or on our show, especially, you will see that. He want to meet her for a reason.
Carla Gallo 12:48
[…] I almost said to you when we were watching it, “she did it”.
Emily Deschanel 12:51
Right.
Carla Gallo 12:54
I figured the neighborhood.
Emily Deschanel 12:56
Yeah.
Carla Gallo 12:56
That was my assumption. And I wasn’t far off.
Emily Deschanel 13:00
I wasn’t far off. Don’t go anywhere. There’s more boneheads after this quick break.
Carla Gallo 13:27
So let’s see. We have the bones and […] .
Emily Deschanel 13:32
Because the bone genetic defect.
Carla Gallo 13:33
Right?
Emily Deschanel 13:33
Because bones are bright, are kind of more brittle.
Carla Gallo 13:37
Brittle and they’re smaller. And so, you know, he has a genetic defect. And so you know that his mother is not his biological mother. So you go to her, she admits that she is not her biological son. She had tried to adopt him, gave him back to the birth mother, who was a drug addict, the woman Oded, I think.
Carla Gallo 13:58
And then she hears the baby crying.
Emily Deschanel 13:58
Yeah.
Emily Deschanel 13:59
She found her dead.
Carla Gallo 14:03
Yeah.
Emily Deschanel 14:03
With a needle in her arm thing.
Carla Gallo 14:04
Oh, right.
Emily Deschanel 14:05
And then the baby’s crying, and so she just didn’t want him to go into the foster system. So basically, did her own kind of illegal adoption.
Carla Gallo 14:13
Right, which you and I had a little bit of a debate as we watched it.
Emily Deschanel 14:15
Yes, beceuase it was Booth and Brennan.
Carla Gallo 14:15
I know it was. […] As we were watching that, oh, right. Because he’s like, “I took her into custody”. And I was like, “wait what?” I was like to you, I was like, “Wait, hold on”, but took her into custody.
Emily Deschanel 14:33
She stole, she kidnapped a child, pretended that was her own.
Carla Gallo 14:38
I like the way you said, because you were like, “That’s not legal”, and I was like “but, she rescued, he would have died” you know, “She saved him” and you’re like, “But it’s not legal, that’s not allowed” something like that.
Emily Deschanel 14:51
You have to follow rules, Carla.
Carla Gallo 14:53
Yeah, go through the system.
Emily Deschanel 14:55
She probably could have adopted him if she was system […] .
Carla Gallo 14:59
I missed the connector. How do you guys end up interrogating the younger one, Sean? Oh, because Angela.
Emily Deschanel 15:05
Mall.
Carla Gallo 15:06
The picture.
Emily Deschanel 15:07
He plays video games with the kids, and then he’s said, “Oh, we went to the mall”.
Carla Gallo 15:11
Right? And they see the video. But the pixel, that was one thing that was very funny was, like how pixelized.
Emily Deschanel 15:17
Not real.
Carla Gallo 15:18
And then Angela is like, “Hold on, I can zoom. I can’t zoom in on anything else, but the reflection is adore”.
Emily Deschanel 15:27
But the reflection is great. It’s gonna be crystal clear, and we’re gonna see it’s Sean.
Carla Gallo 15:30
Yeah, and it just like that.
Emily Deschanel 15:32
You just see that it’s Sean. That’s not real.
Carla Gallo 15:35
No.
Emily Deschanel 15:36
I don’t think you can do that.
Carla Gallo 15:36
I don’t think you can.
Carla Gallo 15:38
Yeah, I know.
Emily Deschanel 15:38
They might now, but they certainly can then. […] There’s pixel, do you see the pixels?
Emily Deschanel 15:46
You can’t make the pixels not pixels. And then all of a sudden.
Carla Gallo 15:50
And all of a sudden, so we know it’s him. […] You interrogate him.
Emily Deschanel 15:54
And then I say, “I want to talk to him”. When I say, I want to interrogate him, it’s when we realize that it’s the weight of a man who broke his bones.
Carla Gallo 16:02
Oh!
Emily Deschanel 16:02
Right?
Carla Gallo 16:03
Is that? Oh, okay […] .
Emily Deschanel 16:06
And I’m like “Let me talk to him”. […] We bring him in first.
Carla Gallo 16:11
Yeah.
Emily Deschanel 16:11
I’m combined.
Carla Gallo 16:11
That’s when she says, “Be harder on him, and you’re defending him, the child.
Emily Deschanel 16:12
Yeah?
Carla Gallo 16:16
The prosecutor.
Emily Deschanel 16:18
And he doesn’t really say anything.
Carla Gallo 16:21
So then later, when you’re like, “let me talk to him”. And that was very.
Emily Deschanel 16:25
Realize it’s a man.
Carla Gallo 16:26
Heartbreaking scene.
Emily Deschanel 16:27
Or a grown up.
Carla Gallo 16:28
Yes, but it’s very heartbreaking, because I know Emily, that’s when I turned to you and you were crying a little bit like your eyes were teary.
Emily Deschanel 16:36
It is so funny that I’m crying about something that I know is fake.
Carla Gallo 16:41
No.
Emily Deschanel 16:41
But I feel so sad for the kids.
Carla Gallo 16:43
And he whould have a good job actor.
Emily Deschanel 16:45
Yeah, child actor.
Carla Gallo 16:46
That’s hard to do. I mean, I know with children, sometimes it’s a little more pure, I think there’s not as much complication.
Emily Deschanel 16:52
I find it harder though for them. I don’t know, it just depends […] Yes, some of it I’m just blown away.
Carla Gallo 17:01
Do you remember him?
Emily Deschanel 17:02
I remember doing those scenes, but I don’t remember on my side. He was really good.
Carla Gallo 17:09
He was great.
Emily Deschanel 17:10
I remember doing those scenes and being hard not to be more emotional. All of the subject matter is just really sad. And I do cry a little bit in that scene.
Emily Deschanel 17:20
But I remember it’s really hard not to cry more. There was takes […] I don’t know if it’s that scene or, no, must have been that scene. It was with him.
Carla Gallo 17:20
You do.
Carla Gallo 17:29
Did you notice that you had one scene?
Emily Deschanel 17:32
One single tear?
Carla Gallo 17:33
Perfect tear, the roll down. I feel like the number of auditions I’ve had where they’re like, “And one”.
Emily Deschanel 17:39
No, oh, I’ve had one audition.
Carla Gallo 17:41
And I’m like, “that’s not good thing, it’s not possible”.
Emily Deschanel 17:45
No.
Carla Gallo 17:45
Look at you pulled that off.
Emily Deschanel 17:46
Well, I was not trying to have […] .
Carla Gallo 17:48
I know. And maybe you had more, but they only use that.
Emily Deschanel 17:51
Yeah. I might have had a tear they don’t see in the other eye but I remember, yes, but it was very know that.
Carla Gallo 17:58
Impactful! And the boy was so good.
Emily Deschanel 18:01
It was just a heartbreaking scene, foster the whole thing. The whole episode is heartbreaking.
Carla Gallo 18:07
It is heartbreaking. We discussed this is one of the harder, one of the harder ones.
Emily Deschanel 18:12
And then he whispers something into my ear.
Carla Gallo 18:14
He whisper the name of the adult.
Emily Deschanel 18:17
The next door neighbor.
Carla Gallo 18:18
Next door neighbors.
Emily Deschanel 18:19
The dad or the husband. It was very suspicious. We see them earlier, and they’re Exterminators.
Carla Gallo 18:27
And then the boy looks over in the beginning, and maybe that’s the tell too, of like, he knows his dad is like an abuser. Because, remember, there’s that shot when they come outside you see them.
Emily Deschanel 18:35
Yes, how could I forget?
Carla Gallo 18:36
And then the boy looks over and we were like, “Oh, something’s up”, but we know it’s him. And I think I want to circle back to some of the Hodgins scene, but I’ll just take us to the end of the recap of it all. There’s a lovely scene at the end with you all dressed up, and you look so beautiful. And when we were watching it, I was like, “Look at you, Oh my god, you’re so beautiful”. And then you’d like “you have to share what you said to me”.
Emily Deschanel 18:42
There was a whole talk about how I did not look good enough.
Carla Gallo 19:06
That’s insane.
Emily Deschanel 19:08
And I know I heard that from both costumes and hair.
Carla Gallo 19:12
Who told you? When you were in the look, they’re like, “We’re getting notes that you don’t look good enough”.
Emily Deschanel 19:17
Not in the look like the next episode, when we were filming, they said, “Oh, they didn’t like that”. I remember I chose my hairdo, which is probably similar enough to my hair, maybe in the show. But I chose that because it was like simple and elegant.
Carla Gallo 19:33
You look elegant.
Emily Deschanel 19:34
And Halle Berry had her hair like that […] .
Carla Gallo 19:39
Have you been to? Or you have seen in the picture?
Emily Deschanel 19:42
No. First of all, would I be invited? No. Or secondly, would I’ve had any time to go to such an event? No.
Carla Gallo 19:48
Valid.
Emily Deschanel 19:49
But, I saw pictures in a magazine online. I mean, there was online.
Carla Gallo 19:56
Yeah.
Emily Deschanel 19:56
But we went on our phones looking at things. No, I saw it in magazine.
Emily Deschanel 20:00
Maybe was the Academy Awards or something, and I saw it on the whatever.
Carla Gallo 20:00
I thought it looked very chic, very beautiful. You looked very beautiful.
Carla Gallo 20:00
Okay. And you said she’s my style.
Emily Deschanel 20:09
I stand by that look, and I love that dress; it’s a vintage dress. I thought it’s a beautiful dress. And that I heard from costumes too, that they had complained that I should have looked better.
Carla Gallo 20:21
That’s a weird thing to tell you. I understand and I’ve experienced similar things, but it’s already been done. So it’s not like “Hey, we’re reshooting that scene because we got notes”.
Emily Deschanel 20:28
No.
Carla Gallo 20:28
It’s not that you’re just letting you know that people who employ you don’t think you look good. It’s important for you to look good.
Emily Deschanel 20:40
We never thought you looked […] .
Carla Gallo 20:42
It was important that you know.
Emily Deschanel 20:44
Yeah.
Carla Gallo 20:44
That they did not think you look good.
Emily Deschanel 20:45
Yeah.
Carla Gallo 20:46
Because that’s real.
Emily Deschanel 20:47
I’ve always said, “you never know how ugly you are until you become an actor”. One of the makeup artists I worked withon bones told me he got my makeup down to 15 minutes.
Carla Gallo 21:01
15 minutes?
Emily Deschanel 21:02
15 minutes. He’s very proud of that.
Carla Gallo 21:05
People should know I, for the most part, am allotted an hour for hair and an hour for makeup. And that is pretty common.
Emily Deschanel 21:11
45 for me, I mean […] .
Carla Gallo 21:14
I might need an hour.
Emily Deschanel 21:19
If I didn’t work every day, I would be having get more. Yeah, 45 to an hour, and then if it’s a bigger look, an hour and a half.
Carla Gallo 21:27
Yeah.
Emily Deschanel 21:28
Even sometimes you need some time.
Carla Gallo 21:30
But, 15 minutes is crazy.
Emily Deschanel 21:31
It’s insane.
Carla Gallo 21:32
It’s crazy.
Emily Deschanel 21:32
No one’s ever heard of such a thing.
Carla Gallo 21:33
Yeah.
Emily Deschanel 21:33
Except for this guy who used to be like an electrician.
Carla Gallo 21:36
I’m sorry?
Emily Deschanel 21:36
Then he was like, the makeup artist made more money […] .
Carla Gallo 21:42
Did he stay with the show?
Emily Deschanel 21:43
No.
Carla Gallo 21:44
No? Okay.
Emily Deschanel 21:45
But he also told me, “Well, I’d win an Emmy if I could show them a before and after”.
Carla Gallo 21:52
Oh, It is funny, is that? Like, there’s this weird abuse that happened?
Emily Deschanel 21:58
Yes.
Carla Gallo 21:59
Because I had on undeclared. I remember the guy who did my hair. He was like, I don’t know they want. They’re saying to me about “Carla”. They’re saying that they want her hair to look like it does when she comes in, like, her own hair. Oh, I guess they wanted to be messy and unstyled and like she just woke up, but it was just my own curls. I was like, “that’s crazy”. […] I was in almost ringlet curls on.
Carla Gallo 22:29
So, they’ve said “more like a natural hair” […]. Oh he guess he wanted to look like, unkempt and she just woke up in the morning like, “Oh my god”. But, it’s weird that thing, that people feel the freedom to wardrobe sharing a lot of abuse.
Emily Deschanel 22:30
Right. […] It was too controlled.
Emily Deschanel 22:45
There’s so many. Well, I just dread wardrobe fittings and stuff, even when I was young.
Carla Gallo 22:59
I know.
Emily Deschanel 23:00
Skinnies can be, to me, as skinny as you can be.
Carla Gallo 23:02
Yeah.
Emily Deschanel 23:03
But I remember one time. Well, first season, I would get dark circles under my eyes because I wasn’t sleeping.
Carla Gallo 23:10
Oh my gosh.
Emily Deschanel 23:10
And so I remember walking into Hart’s office one day and there was a ripped out magazine thing. Do you remember in the back of magazines, they’d have a thing like, miracle, for dark circles, there’d be like, this cream.
Carla Gallo 23:22
I mean, I feel like throughout time, I feel like there’s always dark circles.
Emily Deschanel 23:26
But I don’t know a thing.
Carla Gallo 23:28
Wait, he ripped it out?
Emily Deschanel 23:30
No. I saw it. And I said, “What is that?” he wasn’t, like, had nothing to do. I was at a meeting for something else, and it was just happened to be on a table, and an executive had brought it.
Emily Deschanel 23:41
And I was “Is that for me?” And he’s like, “It might have been”. He was just being honest, which I appreciate him.
Carla Gallo 23:41
No.
Carla Gallo 23:46
Yeah.
Emily Deschanel 23:47
For all I know, he’s always been honest with me.
Carla Gallo 23:49
I think so.
Emily Deschanel 23:50
You could be very honest person, and I appreciate that. But, you know, people talking about your skin.
Carla Gallo 23:58
Really uncomfortable.
Emily Deschanel 23:59
My hair and my face.
Carla Gallo 24:02
And body.
Emily Deschanel 24:03
All of us and makeup artists will tell you why your nose goes this way.
Carla Gallo 24:06
Oh, my god, yeah. Well, there’ something tricky about your face or your skin is XYZ. Yeah, I had a lot of fittings where same. I mean, it was so skinny. The majority of mine you know, I was so skinny, and I feel like I remembered one of them being, oh, one was at bones, to be honest.
Carla Gallo 24:11
I think she did the same thing that had happened at another fitting for me, which was in the Maluku. The stuff where wego to Maluku, and I’m in underwear, and it’s day of the week underwear. And so they wanted to take pic, you know, you take wardrobe pictures for them to show the director and the producers and stuff to do or the wardrobe. So I took pictures in underwent a bra, and they were like, “Suck your stomach in”.
Emily Deschanel 24:11
Yeah.
Emily Deschanel 24:53
Yeah.
Carla Gallo 24:53
“Stand up straight and suck your stomach in”. And I was like, “Oh!”. And, you hear that because you’re to fitting. So it’s not to say that I didn’t want to look my best at the fitting, but I felt I was doing everything I could to look my best. And then when someone says that to you, like you’re like, “I am stuck”.
Emily Deschanel 25:10
Yeah, exactly.
Carla Gallo 25:12
And not to say that all wardrobe departments.
Emily Deschanel 25:14
No, we’ve had multiple and makeup too, but you will encounter.
Carla Gallo 25:20
Yeah.
Emily Deschanel 25:21
Wardrobe people and a lot of times they were trying, like, in that case, they might have thought they’re being awful.
Carla Gallo 25:27
I’m sure.
Emily Deschanel 25:27
You know? And the health case would be, I think they’re trying to be helpful. But there’s times when there’s something underneath it, where you’re like.
Carla Gallo 25:33
Oh, I’ve had that as well […] .
Emily Deschanel 25:36
Okay, you could win could win an Emmy.
Carla Gallo 25:37
This is a great way to make you feel bad. I want to get back at you for something, and I’m gonna make you. This is where I’ll torture you, that has happened to me as well.
Emily Deschanel 25:51
Boneheads, we’ll be back in just a moment. Stay tuned.
Emily Deschanel 25:54
Well, what did we go? We went through the whole thing […] Hodgins, there’s discovery juicy things with Hodgins. There’s some juicy things with Angela.
Carla Gallo 26:23
Yeah, but the Hodgins things was a big.
Emily Deschanel 26:25
That’s big?
Carla Gallo 26:26
Yeah. Like, I kind of had forgotten that he was so wealthy.
Emily Deschanel 26:30
Yeah.
Carla Gallo 26:30
Which is a fun.
Emily Deschanel 26:31
I think I forgot about that. I think later, he loses money […] I can’t remember so many things that happen.
Carla Gallo 26:39
Oh, yeah.
Emily Deschanel 26:41
But, yes. It’s so funny, when I saw this, I was like, “Oh, is this episode?” We talked about the cantilever group. I didn’t say that out loud. Oh, you knew? That was probably what was well, when they talked about him being like that Zach lives inhis guest house, you knew this was my garage.
Carla Gallo 26:55
Right.
Emily Deschanel 26:56
He just live above the garage. […] So there’s a guest house that he’s not even in, that’s a large guest house. He just has aroom over the garage, and Hodgins lives across.
Carla Gallo 27:06
Did we know that Zach lives at Hodgins plate?
Emily Deschanel 27:13
[…] If they did, I missed it. This episode was the one.
Carla Gallo 27:17
Yeah.
Emily Deschanel 27:18
That’s the first one. But I just remember cantilever.
Carla Gallo 27:22
Cantilever group. I wonder who came up with that?
Emily Deschanel 27:26
Yeah.
Carla Gallo 27:26
I mean, it sounds like a group.
Emily Deschanel 27:28
It sounds legitimate on some but, The Hodgins.
Carla Gallo 27:32
The Hodgins, I remember saying that it wasn’t because he’s very like, “I can’t go to that Gala”, because people sort of expose me. And I was like, “Well, but if his name is just Hodgins and Booth knew that he was the one of the Hodgins, he’s not too undercover, people probably know he’s working at the Jeffersonian.
Emily Deschanel 27:53
Yeah, I’m sure. Goodman’s got to know when he’s hiring.
Carla Gallo 27:56
Yeah.
Emily Deschanel 27:56
They’re gonna look at who these people are.
Carla Gallo 28:00
I had forgotten about that, but I think it’s a really good, like depth for that character that the truth of the matter is he is actually all of your bosses, like a guy.
Emily Deschanel 28:10
I really love that.
Carla Gallo 28:11
He’s the bug guy, but he’s actually everyone boss.
Emily Deschanel 28:14
He chooses to sift through bugs.
Carla Gallo 28:16
Yeah.
Emily Deschanel 28:16
An excrement.
Carla Gallo 28:17
Yeah.
Emily Deschanel 28:17
As we saw in the last episode.
Carla Gallo 28:19
Yes. But, that’s a great you know? What a fun like character attribute. You know what I mean, to find and it must have been for TJ to have some fun too.
Emily Deschanel 28:27
Yes.
Carla Gallo 28:27
To be like, “Wait, what?” Like my characters actually owns this place.
Emily Deschanel 28:31
Don’t you love that? In episodes, in a show, if you’re doing a show where there’s something revealed about your character, you’re like “Oh! that’s so fun.
Carla Gallo 28:39
Oh, totally. But he’s also funny.
Emily Deschanel 28:41
The anger management rubber bands.
Carla Gallo 28:43
Yeah.
Emily Deschanel 28:43
Which he had.
Carla Gallo 28:45
Oh, does he have that for later?
Emily Deschanel 28:45
For the whole run.
Carla Gallo 28:46
Oh! he did?
Emily Deschanel 28:47
For a long time. I didn’t have those bands at a certain point that might have gone, but he’d.
Carla Gallo 28:51
Oh, I have bands. Okay, I don’t remember that. Maybe that was gone by the time I got there.
Emily Deschanel 28:55
Maybe.
Carla Gallo 28:56
I don’t remember. But, I thought that was a fun character trait. But I also think it’s funny when stuff is revealed, and you’re like, “Well, I haven’t been playing that the whole time”.
Emily Deschanel 29:05
Right. If I was the killer.
Carla Gallo 29:08
Yeah, I wouldn’t have done it.
Emily Deschanel 29:09
I might have done something a little different.
Carla Gallo 29:13
Yeah. Speaking of killer, I was thinking I made a note of it. We were watching that I really empathized with the actress who played the mom in that first scene because I feel like the majority of my auditions are like that scene which.
Carla Gallo 29:27
Which is an investigation or sort of interrogation. So you need to provide exposition. Like, no, yes, that was my biological son. These are my foster sons. No, my husband lives. So she’s setting up the story.
Emily Deschanel 29:27
Yeah.
Emily Deschanel 29:42
She just found out that my son is also dead.
Carla Gallo 29:45
Right. What I’m gonna say is in these scenes, alway have an emotional, you’re being told that someone was killed or something happened.
Emily Deschanel 29:56
Yes.
Carla Gallo 29:57
And you’re essentially having a reaction. I mean, this is what’s so hard about acting. But there’s not like a stimulus. You’re not seeing something, whereas like, sometimes.
Emily Deschanel 29:57
Something happens in a scene.
Emily Deschanel 30:00
That sparks an emotional reaction. It’s like, out of kind of nowhere. And a lot of times […] .
Carla Gallo 30:00
Yes.
Carla Gallo 30:05
Yeah, literally just talking about something.
Emily Deschanel 30:09
This is so hard to do.
Carla Gallo 30:20
This is this, this is that, you know. And then you’re like, “Oh my Charlie”. And I just empathize with her. I thought she did it really well.
Emily Deschanel 30:28
Yeah.
Carla Gallo 30:29
But I was like, “Oh, I’ve been, it’s really hard”.
Emily Deschanel 30:31
It’s really hard to do. And she did a great job.
Emily Deschanel 30:34
And we get into a lot of these as we go along in the show.
Carla Gallo 30:34
She did.
Carla Gallo 30:39
Always.
Emily Deschanel 30:40
But especially when you have a child, I think that’s.
Emily Deschanel 30:43
Harder, obviously more upsetting, but where you’re expecting someone to be believably, like reacting to their child being dead and murdered, and then they also have to tell you all kinds of information.
Carla Gallo 30:43
Yes.
Carla Gallo 30:56
Absolutely.
Emily Deschanel 30:57
No, and get it out […] .
Carla Gallo 30:59
I had to do that on. I mean, I’m gonna be honest with you, I’m not really sure which CSI it was. And I’m not even sure CSI. Actually, I don’t even think it was CSI, it was one of the other ones. What’s the one that Mark Harmon is on?
Emily Deschanel 31:13
NCIS.
Carla Gallo 31:14
That’s the one. All those letters, I can’t keep it straight.
Emily Deschanel 31:16
Yeah.
Carla Gallo 31:16
So NCIS, I was a lesbian woman whose wife had been fat. She was found murdered in a public bathroom.
Emily Deschanel 31:31
Did you do it?
Carla Gallo 31:32
Baby had been cut out of her.
Emily Deschanel 31:35
We had a baby cut out.
Carla Gallo 31:36
You did well.
Emily Deschanel 31:37
We’ll get to that episode.
Carla Gallo 31:38
This is based on a real.
Emily Deschanel 31:39
Yes.
Carla Gallo 31:39
Okay.
Emily Deschanel 31:39
I think it was.
Carla Gallo 31:41
I think it was too. I wonder if you all did it around the same time.
Emily Deschanel 31:44
Probably.
Carla Gallo 31:46
And I again, that was one of those things where I was just like, “You want me to what?” like you’re showing.
Emily Deschanel 31:51
Did you do this? Or you auditioned for it?
Carla Gallo 31:53
I definitely auditioned for it. And then I got the part and I do remember there was the scene of, like, “knock, knock, knockat the door”. “Excuse me, are you so and so we found your wife”, you know? And then I’m like, “What about the baby?”And they’re like, “I’m so sorry”. You’re like, “this is just too much”. So that’s why I think I empathize with this one.
Emily Deschanel 32:16
Yeah.
Carla Gallo 32:16
Because I empathize with myself.
Emily Deschanel 32:18
Yeah. I haven’t actually played that part. I played the victim in an SVU.
Carla Gallo 32:27
Oh, did you?
Emily Deschanel 32:28
I played a victim of like a stalking and I got attacked, and my character was stalked by. It turned out Nate Mooney was my attacker, who I later became friends with.
Carla Gallo 32:42
Oh, okay.
Emily Deschanel 32:43
But, we met doing that, and that’s I remember, Jimmi Simpson anyway.
Carla Gallo 32:47
Oh yeah.
Emily Deschanel 32:48
Talking about Nate, his friend, Nate. And I was like, “Nate who?” And I had done this, as he said, “Nate Mooney”. I was like, “I had no Nate Mooney”. He played my stuff.
Carla Gallo 32:57
He was your soccer?
Emily Deschanel 32:58
Yeah […] .
Carla Gallo 32:59
Prior to bones.
Emily Deschanel 33:00
Prior to bones. Then Angela. Angela is having her hard time.
Carla Gallo 33:00
Maybe just having her hard time. She is thinking about quitting.
Carla Gallo 33:15
[…] I mean, though, right, it’s one because it’s hard for her and so painful. But the other part is that she is it, or do? I guess that’s the main thing, because she’s like, “I’m not like you, I’m not like you guys”. So is that she’s saying because she’s like an artist.
Emily Deschanel 33:15
Yeah.
Emily Deschanel 33:33
There’s different things that happen, right? Because Booth says, “Oh, you’re one of them, aren’t you?”
Carla Gallo 33:38
Right?
Emily Deschanel 33:39
“You’re squint”. I think she doesn’t want to become one of us. She doesn’t want to become desensitized to us. But then she kind of says, “Oh no, well, Brennan did this”. I think she’s her identity as a person is being challenged, as well as herbeing kind of too sensitive for the job.
Carla Gallo 33:55
Right.
Emily Deschanel 33:56
Or thinking she might be too sensitive for the job, like she is an artist, and somehow she’s now.
Carla Gallo 34:01
What would she says? Like, I used to paint naked men and now I draw dead bodies or something like that.
Emily Deschanel 34:12
Yeah.
Carla Gallo 34:13
But I wasn’t sure if she was leaving because the main theme is, she’s thinking of leaving because it’s all too painful for her.
Emily Deschanel 34:22
Yeah. I don’t blame her.
Carla Gallo 34:24
And you have that nice scene with her.
Emily Deschanel 34:25
Yeah, another heart to heart. I call them the heart to heart scenes.
Carla Gallo 34:28
Yeah, but you guys are both so good at it.
Emily Deschanel 34:30
What at the scene?
Carla Gallo 34:33
The heart to heart.
Emily Deschanel 34:34
Oh, thank you.
Carla Gallo 34:35
I always believe you guys.
Emily Deschanel 34:39
Oh, thanks.
Carla Gallo 34:40
It’s front, you know, the relationship.
Emily Deschanel 34:42
Yeah. I know we at a certain point, we’re like, “Okay, here comes this scene”. And so you have to figure out how to make it.
Carla Gallo 34:48
Different. Because it’s the same, just the same theme.
Emily Deschanel 34:50
Yeah, because you have to do hard to […] My dad texted me.
Carla Gallo 34:58
Oh, yeah.
Emily Deschanel 34:58
He gets all my texts somehow.
Carla Gallo 35:00
From what? What do you mean?
Emily Deschanel 35:01
Not all my texts, but somehow I’m on some list of certain things, and he gets certain emails when I pay certain things. And so every time I go get my hair.
Carla Gallo 35:10
He’s like, “how was your haircut?”
Emily Deschanel 35:11
Yeah, like, “Here you go”.
Carla Gallo 35:13
That is too personal […] .
Emily Deschanel 35:17
I felt like I was like, “That’s my credit card”. I did too long on my dad’s credit like I did somehow have an American Express emergency. This sounds very primitive.
Carla Gallo 35:31
No, I did too.
Emily Deschanel 35:32
For emergencies.
Carla Gallo 35:33
Me too.
Emily Deschanel 35:33
Which is like my clink to my parents. I had it for emergencies. I never used it years but somehow, still had it in my wallet until years ago, but I had it for so long.
Emily Deschanel 35:45
I probably had it 10 years ago. And I was like, “Why do I still get this card?” […] I wasn’t charging? Oh, no, I would not.
Carla Gallo 35:45
Did you really?
Carla Gallo 35:56
No, me neither.
Emily Deschanel 35:57
The wrath?
Carla Gallo 35:58
No, my mom did it. I think mostly because, I think, similar to today, where you like, “If you like, sign someone else up for your card”. She loved the shopping and the perks, the coupons and the cellphones. Yeah, those cellphones.
Emily Deschanel 36:12
Yeah, those cellphones.
Carla Gallo 36:13
Yeah, we sure did. My mom was the minute sprint was offering, it’s probably a two for one deal, knowing my mom. She was like, “I was just graduated from college” and she’s like, “I think we should go get a cellphone”. Walked right into the flat iron building in New York City.
Carla Gallo 36:29
And I was pretty tech savvy.
Emily Deschanel 36:29
Wow.
Emily Deschanel 36:35
You still have not the same phone. But, probably have that phone.
Carla Gallo 36:40
But I remember, I think it was my 16th birthday. I got there was a box, and then I opened up and there was a credit card.
Emily Deschanel 36:46
Oh, I didn’t get a credit card.
Carla Gallo 36:47
I did, I was like, “Oh my God”. And then she was like, “That’s for emergencies”[…] .
Emily Deschanel 36:58
She’s like “Let me get credit for this”. […] Can’t use getting something present.
Carla Gallo 37:05
I’m sure she got some perk for getting me that card. But then.
Emily Deschanel 37:09
A Clinique gift.
Carla Gallo 37:11
Like a little sample set or something, if she was lucky, I mean, it’s for emergencies that I was that kind of kid where I would never charge the credit card.
Emily Deschanel 37:20
Never you.
Carla Gallo 37:24
But I knew a lot of people who would be like, “Oh, I took money off the dresser” […] .
Emily Deschanel 37:32
Oh, yeah. I was just talking to my podiatrist today.
Carla Gallo 37:36
Oh, you have a podiatrist?
Emily Deschanel 37:37
Well, I broke my toe.
Carla Gallo 37:38
Oh, right.
Emily Deschanel 37:39
But it’s not the first time I’ve broken my toes. The only bones have broken in my body.
Carla Gallo 37:43
Same.
Emily Deschanel 37:44
Really?
Carla Gallo 37:44
Yeah, the bone. Like, is it the same bone? The long bone above the pinky ish not the pinky part, but the long.
Emily Deschanel 37:52
Oh, the metatarsal.
Carla Gallo 37:54
Oh, my God, Emily.
Emily Deschanel 37:58
It’s called the metacarpal hand, and it’s called the metatarsal.
Carla Gallo 38:01
I knew you were gonna do this. No, I’m kidding. Yeah, that’s the only bone.
Emily Deschanel 38:05
No, I’ve broken toes.
Carla Gallo 38:07
Oh, the actual toe?
Emily Deschanel 38:10
Toe bones, fractured toe bone.
Carla Gallo 38:11
Sure.
Emily Deschanel 38:12
This is the third time I’ve broken the same.
Carla Gallo 38:14
Same on? Which toe is that?
Emily Deschanel 38:15
But not the same spot, the second toe of my right foot.
Carla Gallo 38:18
Second toe.
Emily Deschanel 38:19
One next to the big toe? I must lead with it. Carla, I’ve broken the fourth toe of the right foot.
Carla Gallo 38:26
What? You lead with your second toe of your right foot. It must be a long toe.
Emily Deschanel 38:34
It’s not longer than the first one.
Carla Gallo 38:36
Aren’t they often longer?
Emily Deschanel 38:38
Yeah. But they’re not for me, they’re not. I just must lead with it somehow.
Carla Gallo 38:43
Wow.
Emily Deschanel 38:43
I mean, if you want me to take my shoes, I need examine. I’m happy to show you.
Carla Gallo 38:46
You’re gonna end up on wiki feet. You know, that’s a real thing, right?
Emily Deschanel 38:49
Oh, I know.
Carla Gallo 38:51
Are you on there? I think I am on there. I know. Let’s see. […] Let me tell you why your second toe is not longer than your first toe. Your first toe is quite long. You have a long.
Emily Deschanel 39:07
But not taller than the big toe.
Carla Gallo 39:09
Like a toe thumb, or whatever that’s called […] .
Emily Deschanel 39:12
Some people have a weird toe.
Carla Gallo 39:13
I feel like mine are stubby, but if I flat amount, there’s kind of the same length.
Emily Deschanel 39:24
I think they’re almost the same.
Carla Gallo 39:27
This is where it’s just such a tragedy that we’re not doing video, you know, podcast.
Emily Deschanel 39:32
We should do is get very nice pedicures.
Carla Gallo 39:34
And then take pictures?
Emily Deschanel 39:35
No.
Carla Gallo 39:35
No, they’re really end up on wiki. But I’m just saying you don’t missing out on us, holding our feet next to each other. They’re missing out. This is the good.
Emily Deschanel 39:42
This is the gold. And I’ve got a nice old pedicure because I had fractured.
Carla Gallo 39:49
I think getting them, I used to get them religiously. Like, that was my one thing that I made you to do.
Emily Deschanel 39:55
Yeah.
Carla Gallo 39:55
But then, to be honest, I would let it go too long, and then you’d see the white strip. You know, we’re going out and I just couldn’t keep up, so I just said, “you know what?”
Emily Deschanel 40:02
I know. My mom, and that’s why, but this one I didn’t get with my mom, but I would go with my mom.
Carla Gallo 40:03
That’s nice.
Emily Deschanel 40:05
But we wouldn’t always, always go.
Carla Gallo 40:11
Ellie is a nine to get her nails.
Emily Deschanel 40:14
You guys should go with your mom and Ellie.
Carla Gallo 40:16
My mom would not. She’s grew up in the depression, she’s so like, “Why would I do that?” Like, “Why would I get him?” Like, “Do you want to?” Like, “I could treat you to like” […] there’s no logic to her. Like, never would she get her.
Emily Deschanel 40:37
My mom believes in a certain amount of pampering.
Carla Gallo 40:39
My mom not at all […] Why would that? You know, the only time my mom has ever had her makeup done was for my wedding. You know who did the makeup? Erin Harding, the makeup artist from Bones. It is sweet? She did my mom and my sister and my bridesmaids. I know she was parked in my kitchen, she liked everyone who was on the stool.
Emily Deschanel 41:02
Did your mom like it?
Carla Gallo 41:04
Yes, you know what’s interesting? I don’t think she even said necessarily. But then at some point, I remember coming across on her phone pictures of like selfies that she had taken. And so that is a real tell of she how she looked. Is it sosweet.
Emily Deschanel 41:20
I loved that.
Carla Gallo 41:23
I know. And I wouldn’t have known otherwise, because I don’t think she said.
Emily Deschanel 41:27
Yeah.
Carla Gallo 41:28
I think I probably was like, “What do you think?” And she was like “It’s okay” you know, I don’t think there was like, “I love it”, or anything like that. But the selfies were […]
Emily Deschanel 41:36
There’s other ways we know.
Carla Gallo 41:37
Yeah.
Emily Deschanel 41:40
But okay, wait. Well, we made that page, tampering toes.
Carla Gallo 41:45
Toes. Oh, your podiatrist.
Emily Deschanel 41:49
The podiatrist said, “Oh, remember that movie side?” Somehow, I said something sideways. He’s like, “Oh, remember that movie Sideways? That was a good movie”. And I said, “You know, my mom hated that movie”. Oh, because he steals from his mother in it.
Carla Gallo 42:03
Oh, I don’t blame her. That was her main.
Emily Deschanel 42:08
I can’t have any empathy for a person who steals from his mother, which I understand.
Carla Gallo 42:14
I do too. A firm stance, I like that it ruined a whole movie for her.
Emily Deschanel 42:19
Yeah, it really did.
Carla Gallo 42:21
No, I never would have dared to do something like that. I wouldn’t have wanted to, to be honest, it wasn’t even about daring getting in trouble. I just loved and respected my parents.
Emily Deschanel 42:30
I know. I have a note about Brennan being a Waco, which I remember mentioning.
Carla Gallo 42:35
Oh! yes, them. This is the episode where you would have been too young to be. I would identify brand school, BranchDavidian.
Emily Deschanel 42:41
Branch Davidian Complex.
Carla Gallo 42:44
Yeah.
Emily Deschanel 42:44
I was just actually listening to something about that, actually.
Carla Gallo 42:47
Oh! really, what?
Emily Deschanel 42:48
Yes, that’s why that went really badly. There’s so many things they didn’t understand. They didn’t understand their beliefs before they went in. They could have taken him like separately when he was outside the compound. Oh, there’smultiple things, but don’t listen to me. Listen to someone else who knows about it.
Carla Gallo 43:08
And then I did say, “maybe Brennan, I wouldn’t be surprised if she graduated from college when she was 12”.
Emily Deschanel 43:13
Right. […] No they’re like, but that’s okay.
Carla Gallo 43:16
Yeah. “Doesn’t matter, It’s okay”. Would you have been a teenager or something?
Emily Deschanel 43:20
Yeah.
Carla Gallo 43:20
Yeah
Emily Deschanel 43:20
As a teenager.
Carla Gallo 43:21
I believe it. That she would have been identifying baby.
Emily Deschanel 43:25
Bones, identifying baby bones.
Carla Gallo 43:28
Yeah.
Emily Deschanel 43:30
What else should we talk about?
Carla Gallo 43:32
I mean, I feel like.
Emily Deschanel 43:33
Oh, Brennan’s writing a book.
Carla Gallo 43:34
Oh, right. She’s writing a book number two.
Emily Deschanel 43:36
We should talk about how the publisher, the people are the beginning, she has the car thing, but then she has notes on her board.
Carla Gallo 43:48
Right? Because she has to. Because they’ve given her that.
Emily Deschanel 43:50
She feels obligated.
Carla Gallo 43:51
Yeah. I know that’s something. I’ll be honest, I had kind of forgotten. I feel like the book thing is not talked about as much in later seasons, is it?
Emily Deschanel 44:01
Yeah, no.
Carla Gallo 44:02
Early it’s just all about you being an author. Everyone who meets Brennan is like, “Hey, I read your book”. And later seasons, it’s not really about that anymore. I mean, I get it, that was the initial.
Emily Deschanel 44:13
We also establishing the characters, and suddenly see what works.
Carla Gallo 44:16
And we know from heart that you were kind of more Kathy Reichs than you in a way that you were the guy […] .
Emily Deschanel 44:25
So which makes sense to to be talking about writing a book?
Carla Gallo 44:27
Yeah, exactly.
Emily Deschanel 44:28
Which is fun, little known thing is in real life. Kathy Reichs, whom we will talk to is a forensic anthropologist who also is an author who writes books about a character named Temperance Brennan in Bones, a television show, “Temperance Brennan” a forensic anthropologist, who also is an author who writes books about a forensic anthropologist named Kathy Reichs.
Emily Deschanel 44:54
Yeah.
Carla Gallo 44:54
That’s right. I like that, that’s cute. It’s clever.
Carla Gallo 44:55
Well, it’s that time again.
Emily Deschanel 45:04
Oh, my God, is it already?
Carla Gallo 45:07
The time I am referring to is fan question time.
Emily Deschanel 45:10
Question time.
Carla Gallo 45:13
Would you like to ask our fan?
Emily Deschanel 45:15
Okay this question comes from @Dana D 2484, my eyes are not doing well.
Carla Gallo 45:24
Oh my god. You don’t have an eyes are not doing the reader.
Emily Deschanel 45:27
I know I’ve lost the readers because I can’t find them.
Carla Gallo 45:30
Okay.
Emily Deschanel 45:31
I can’t see them because I can’t find them.
Emily Deschanel 45:32
@Dana D 2484, on Instagram asks “Was the baby on bones your actual baby in real life? I always wondered, LOL”. You’re not the first person who’s asked this question. The baby on Bones was not my real baby. No baby on Bones was ever my real baby. One of my children did make a cameo on the show at some point, but that is notwhen.
Carla Gallo 46:00
I didn’t know that.
Emily Deschanel 46:01
The babies also, like, we gave birth on the show, I filmed that before months after I had a baby, but I also was not going to bring my baby on. I don’t know that would have […]. Twins, there’s lots of rules.
Carla Gallo 46:18
Right, because the babies can’t work very long.
Emily Deschanel 46:20
Yeah.
Carla Gallo 46:21
Wait, when was one of your children? When did your child do a cameo?
Emily Deschanel 46:25
People figure it out.
Carla Gallo 46:26
You’re gonna make people figure it out?
Emily Deschanel 46:28
Well, I think some people have figured it out.
Carla Gallo 46:29
Oh, all right. Okay. I’m gonna guess a playmate of your children on the show.
Emily Deschanel 46:36
Not exactly a playmate, but close.
Carla Gallo 46:40
Okay. Interesting. Okay, I’m just gonna chime in.
Emily Deschanel 46:48
You had a baby there too.
Carla Gallo 46:49
It’s not for me. I mean, the questions is not really for me.
Emily Deschanel 46:52
You also had a baby on the show.
Emily Deschanel 46:53
[…] I remember the labor scene.
Carla Gallo 46:53
I did have a baby, and people do ask me sometimes about it. And I was, obviously, I was pregnant with my daughter, Ellie. And then I gave birth, I wasn’t supposed to, but I really did real life. We’ve talked about that, but the only thing is. And I don’t think you never saw me with the act. I mean.
Carla Gallo 46:54
Labor scene, yeah.
Emily Deschanel 46:55
Very well.
Carla Gallo 46:55
So there was a baby that was not my baby. But I will say, the reason I wanted to bring it up is that a lot of times, if I’m with Ellie and somebody, I meet a fan, or somebody who loved Bones and loved Daisy, I always like to say, and if I don’t, she gets mad at me. I always say, I point to Ellie, and I go, “this is Lance Jr.”, because I was pregnant with her, so I like to say she’s a junior. So the last time I didn’t say it, she was like, “You didn’t tell them, I’m Lance Jr.” And I was like, “Okay, I was sort of joking”. I mean, I am joking. So I didn’t know she really likes it, because she likes when I introduced her as Lance Jr.
Emily Deschanel 48:02
That’s so cute. It’s really cute.
Carla Gallo 48:05
Yeah.
Emily Deschanel 48:06
Thanks for the question. We appreciate it, Dana.
Carla Gallo 48:18
We really killed it on this one. Oh, I didn’t mean to say it.
Emily Deschanel 48:21
Oh, Carla.
CREDITS 48:22
Boneheads is a production of Lemonada Media and us. Our producer is Alex McOwen. Our engineers are Brian Castillo and Noah Smith. Our senior vice president of weekly content is Steve Nelson. Our executive producers are Stephanie Wittels Wachs, Jessica Cordova Kramer and us; Emily Deschanel and Carla Gallo. Music by Doug Paisley. Special thanks to Allison Bresnick. To stay up to date with us and submit your listener questions. Follow us on Instagram @BoneheadsPod and at Lemonada Media on all social channels. Follow Boneheads wherever you get your podcasts, or listen ad free on Amazon music with your Prime membership. Thanks so much for listening.
Carla Gallo 48:22
So sorry. I just mean episode 105, we’ve hit our stride.