104. The Man in the Bear

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This week on Boneheads, we’re going inside the belly of the beast (literally). Emily and Carla take us on a trip to the most sexually charged town in America – Aurora, Washington – where they look back at the many interesting townsfolk Booth and Brennan encountered there, from hot delivery people to cannibalistic doctors. Emily sets the record straight on whether or not you can actually ship human remains in the mail, which, as we find out, she knows about from personal experience. Plus, Emily and Carla answer your fan questions about their favorite episodes from Season 1.

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Transcript

SPEAKERS

Emily Deschanel, Carla Gallo

Carla Gallo  00:00

Hi.

 

Emily Deschanel  00:00

Hi.

 

Carla Gallo  00:01

So we were just talking about something relating to this episode; 104, the man and the bear, that we just realized that we’re going camping at the exact same spot tomorrow. Total coincidence.

 

Emily Deschanel  00:12

Same weekend.

 

Carla Gallo  00:13

Same, total coincidence and that we hopefully will not encounter any bears, and that we will survive.

 

Emily Deschanel  00:20

I hope we survive […] Cannibal.

 

Carla Gallo  00:24

Oh! the cannibal right? Otherwise, this will be the last recording. They’ll use it as evidence. Like; “Two actresses from hit series, Bones found inside a bear”. Ironically, after recording.

 

Emily Deschanel  00:40

After just recorded.

 

Carla Gallo  00:40

Yeah, man in the bear of episode 104.

 

Emily Deschanel  00:56

I’m Emily Deschanel.

 

Carla Gallo  00:57

And I’m Carla Gallo.

 

Emily Deschanel  00:59

And this is Boneheads. This is the episode where we talk about the man and the bear, 104. I think we made that clear.

 

Carla Gallo  01:07

I think we made it clear, in case anyone was confused and wants to skip ahead because this is not their favorite episode.

 

Emily Deschanel  01:14

Sure.

 

Carla Gallo  01:14

But I don’t know why it wouldn’t be. I thought it was delightful. […] As we’ve discussed, I haven’t been a long time watcher of Bones, oddly enough. And so now, I’m into the episodes. I’m watching them in chronological order or in the appropriate order. And this was about the first one where I was like, “Huh? Who done it?”.

 

Emily Deschanel  01:40

Right?

 

Carla Gallo  01:41

I was, I don’t know why.

 

Emily Deschanel  01:42

I thought I remembered who, and then you didn’t remember who. I confused one actor with somebody who’s in another.

 

Carla Gallo  01:43

Okay.

 

Emily Deschanel  01:43

Episode later on.

 

Carla Gallo  01:45

Fair enough.

 

Emily Deschanel  01:46

I was wondering. But I do have some memories of this episode.

 

Carla Gallo  01:52

Oh, good.

 

Emily Deschanel  01:53

Yes. I feel like after, a certain amount of episodes we’re not gonna have.

 

Emily Deschanel  02:01

Anybody knows, but the beginning I read.

 

Carla Gallo  02:01

I know.

 

Carla Gallo  02:04

It’s all like strong and fresh. So let’s jump in.

 

Emily Deschanel  02:08

Let’s jump in. Do you want to go into? Should we go back to work? We can talk.

 

Carla Gallo  02:12

Yeah.

 

Emily Deschanel  02:13

Carla, what happen?

 

Carla Gallo  02:14

I believe that Booth comes to you because […]. This is where we maybe shift into the show, kind of opening.

 

Emily Deschanel  02:22

This is the beginning of the teaser, as we call it, dramas.

 

Carla Gallo  02:29

Yes. Where there’s the murder or the death like, in six feet under that type of thing or bones. Where you’re gonna find the body and we’re gonna see that first as its own little vignette.

 

Carla Gallo  02:42

And then we’re gonna come so we see her, the woman who is a vet.

 

Emily Deschanel  02:42

Yes.

 

Emily Deschanel  02:47

She’s a veterinarian.

 

Emily Deschanel  02:48

I think it was a ranger.

 

Carla Gallo  02:48

Veterinarian and she’s the investigative ranger.

 

Carla Gallo  02:49

Yeah. And she reaches in and with a very subpar glove.

 

Emily Deschanel  03:03

Oh, she did not know it?

 

Carla Gallo  03:05

Well, because when she took her hand out of the stomach, like the goo was about to her elbow, but the glove was to her nest.

 

Emily Deschanel  03:11

Yeah.

 

Carla Gallo  03:12

And I was like, “Well”.

 

Emily Deschanel  03:13

She should have gotten the bigger glove, rubbermaid going glove.

 

Carla Gallo  03:17

Yeah. So she finds a hand, in the belly of the beast.

 

Emily Deschanel  03:23

Hand inside of the bear.

 

Carla Gallo  03:24

Yes. And then Booth comes to you, and is like, “You have to come with me to roar Washington, because they found a hand in a bear”.

 

Emily Deschanel  03:32

Yeah.

 

Carla Gallo  03:33

And you’re like, “No, I don’t have to”.

 

Emily Deschanel  03:34

He’s like, “Well, you are”.

 

Carla Gallo  03:36

Yeah.

 

Emily Deschanel  03:36

And then it turns out that Dr. Goodman, had signed.

 

Emily Deschanel  03:42

[…] We don’t need to get into the details yet, but I was just thinking of that scene where he tells me to go. First of all, he has a good line in that scene where he’s like, “Oh, I wrote it down but we can get into it later”. But in that scene, I say, “What you want me to just go and have sex with Booth”?

 

Carla Gallo  03:45

Let you out.

 

Carla Gallo  03:46

Oh yeah, I did like that, though that was very funny. I will say this was an incredibly sexually charged episode.

 

Carla Gallo  04:12

I know I was like, “What happened?”.

 

Emily Deschanel  04:12

There is sexully charged.

 

Emily Deschanel  04:16

This is like fox getting involved or something. There’s a lot of talk about.

 

Carla Gallo  04:20

It’s unbelievable.

 

Emily Deschanel  04:21

The delivery, people.

 

Carla Gallo  04:26

Oh well,  yeah.

 

Emily Deschanel  04:27

The woman.

 

Carla Gallo  04:28

No, the woman.

 

Emily Deschanel  04:29

Even recast. I mean, it used to be even more so there was crazy cleavage, if I recall correctly. They had someone comeand I was like, “What is this? This is like a porno”. Like, what people can be attractive without?

 

Carla Gallo  04:43

Yeah, don’t have to be. And she was very attractive.

 

Emily Deschanel  04:45

Yes, she’s gorgeous […] and only a step.  She’s very sexy.

 

Carla Gallo  04:50

She just is. But there was many shots of her leaving.

 

Carla Gallo  04:56

And there is definitely whether it was intentional. I mean, like, “What? I don’t think they zoomed in on her butt” but I’m just saying there, you can’t look at.

 

Emily Deschanel  04:56

Yes.

 

Emily Deschanel  05:06

But, she’s with her and the guy, Charlie. First of all, what are the chances of having extraordinarily delivery people?

 

Carla Gallo  05:15

Right.

 

Emily Deschanel  05:16

[…] So guys goes to Aurora, Washington.

 

Carla Gallo  05:23

Which is the most sexually charged town in America.

 

Emily Deschanel  05:28

Oh, yes!

 

Carla Gallo  05:29

Everybody is looking for something. And you show up and you’re it, because the vet is seems to be the only other woman in town.

 

Emily Deschanel  05:39

Offensive.

 

Carla Gallo  05:40

Why?

 

Emily Deschanel  05:41

Well, the scene where Booth were dancing, and Booths like, “Look at your competition. She’s a beautiful woman.”

 

Carla Gallo  05:47

I know she’s beautiful.

 

Emily Deschanel  05:48

I don’t know what that meant. I didn’t know if he was saying.

 

Carla Gallo  05:51

Because she was angry.

 

Emily Deschanel  05:51

Maybe that’s why because she’s very good looking.

 

Carla Gallo  05:58

Yes.

 

Emily Deschanel  05:58

I didn’t want to be saying that she wasn’t good looking.

 

Carla Gallo  06:00

Can I also point out? Was it just me, but she looks exactly like noise or whatever?

 

Carla Gallo  06:07

Identical thing. […] She literally show the poster of like, “Wow”. The only missing person that we have is veterinarian […]. It’s not, but it looked exactly and I was like, “That is a bit of a casting error”.

 

Emily Deschanel  06:07

Yes.

 

Emily Deschanel  06:25

She could have looked like anything.

 

Emily Deschanel  06:25

Yeah.

 

Carla Gallo  06:25

And the missing woman could have looked like anything.

 

Carla Gallo  06:29

You see her body. Let me also point out, this is just a prosthetics thing that I observed; very large, pertinent grass.

 

Emily Deschanel  06:41

The reason that is because they open.

 

Carla Gallo  06:43

But they were firm and high.

 

Emily Deschanel  06:49

Notice as much, I thought they did a split.

 

Emily Deschanel  06:52

And they open up sternal.

 

Carla Gallo  06:52

They did.

 

Carla Gallo  06:53

They were. But, the breasts were very firm.

 

Emily Deschanel  06:59

I think that kind of happens. Well, it is the prosthetic. It was a prosthetic, obviously. I mean, “What do they make them to look like actual natural breasts?”.

 

Carla Gallo  07:10

I would have appreciated it.

 

Emily Deschanel  07:12

No, I’m just wondering. I’m sure it’s easier to make them look very firm.

 

Emily Deschanel  07:16

Yeah all your brothers, even though they were not our brothers.

 

Carla Gallo  07:16

I think so well. For sure, if you’re sculpting, and you want to show in their mind, and at some point, we definitely have to talk to the people that make made all the bodies.

 

Carla Gallo  07:27

Okay, fair enough. But, I’m sure they were like, “Oh, we’re cracking open the big breasts”. I don’t know.

 

Emily Deschanel  07:38

I will say this, opening up the serum will make any breasts look bigger because you’re opening it up.

 

Carla Gallo  07:44

Oh, what if it will flop to the side? I’m just saying.

 

Emily Deschanel  07:48

Just as a hypothetical.

 

Carla Gallo  07:50

Yeah.

 

Emily Deschanel  07:50

Just a general possible.

 

Carla Gallo  07:52

I’m just saying.

 

Emily Deschanel  07:53

Then they would look different.

 

Carla Gallo  07:54

It would look different.

 

Emily Deschanel  07:55

Yeah, no, agreed.

 

Carla Gallo  07:58

Just wanted to point that out.

 

Emily Deschanel  07:59

No.

 

Carla Gallo  07:59

I think I didn’t even make a note about it, but it was in the forefront of my mind.

 

Emily Deschanel  08:03

We bring all the subconscious. Bring it all out. Okay, what else happened?

 

Carla Gallo  08:09

So we meet the sheriff who thinks you’re a hottie.

 

Emily Deschanel  08:12

Hottie character.

 

Emily Deschanel  08:14

I remember him well.

 

Carla Gallo  08:14

Everyone here is kind of a character. There’s definitely like a everybody […] .

 

Carla Gallo  08:14

He’s the sheriff.

 

Emily Deschanel  08:19

Yeah.

 

Carla Gallo  08:19

He was very funny.

 

Emily Deschanel  08:22

Yeah, he’s funny.

 

Carla Gallo  08:22

I thought he died.

 

Emily Deschanel  08:23

I think he mostly does comedies and stuff.

 

Carla Gallo  08:25

There were a few. I feel like, improving taping is when you get Angela on the, it wasn’t zoom, whatever you were doing back then, which I guess would have been very high tech, right? Back then, the idea that you would have video conferenced, I mean, that’s right. Now I look at it.

 

Emily Deschanel  08:42

It’s all very high tech.

 

Carla Gallo  08:44

Very high tech. You plug your little, your little satellite, you’re like, “Oh, hold on”, while you’re mailing something at the local. “Oh, hold on” and you take out your thing, and it works immediately, better than any internet we have.

 

Emily Deschanel  08:56

Yeah.

 

Carla Gallo  08:56

Today.

 

Emily Deschanel  08:57

And it’s huge.

 

Carla Gallo  08:58

It is. But, it works. There’s a joke he made. There was something where that Sharon.

 

Emily Deschanel  09:03

[…] The skin and the scat is a sun. And he said, “Boys in the haiku?”.

 

Carla Gallo  09:12

Yeah, that was cute.

 

Emily Deschanel  09:15

It was cute.

 

Carla Gallo  09:16

I think I write it down.

 

Emily Deschanel  09:18

There’s some different funny characters.

 

Carla Gallo  09:21

[…] Sheriff.

 

Emily Deschanel  09:24

And he has a liking to me.

 

Carla Gallo  09:28

Yes.

 

Emily Deschanel  09:29

Which everyone seems to have in this town.

 

Carla Gallo  09:32

Hey, they’re not wrong. Look at you in that big necklace.

 

Emily Deschanel  09:40

Don’t forget the belt buckle.

 

Carla Gallo  09:41

I saw the bell buckle with the necklace with.

 

Emily Deschanel  09:43

The necklace and the bell buckle.

 

Carla Gallo  09:43

Once again, the necklace came with.

 

Emily Deschanel  09:45

My number one acting choices.

 

Carla Gallo  09:48

Yes, the belt buckle and the necklace. But so I would say, let’s see. So generally.

 

Emily Deschanel  09:56

The doctor, who’s also the corner.

 

Carla Gallo  09:58

Oh, yeah, that’s very important.

 

Emily Deschanel  10:00

Andrew Rigby.

 

Carla Gallo  10:00

Yes, Andrew Rigby.

 

Emily Deschanel  10:02

Then we have to send things back to the lab.

 

Carla Gallo  10:05

Yes.

 

Emily Deschanel  10:06

But, while we’re doing everything, there’s the whole thing, Charlie. I’m just bringing up all the characters.

 

Carla Gallo  10:12

Yes, right. Because they’re like, “Oh, you have to mail. Where do I mail something?” Oh, Charlie, the exceptionally good looking.

 

Emily Deschanel  10:20

Very good looking.

 

Carla Gallo  10:21

Oh, yes.  Exceptionally good.

 

Carla Gallo  10:21

Yeah.

 

Emily Deschanel  10:21

It’s like the woman who brings things to the lab.

 

Emily Deschanel  10:25

Exceptionally good looking.

 

Carla Gallo  10:27

Yeah. Is the first thing that you mail, it’s not the poop. The first thing is more like bones or something.

 

Emily Deschanel  10:37

I think I mailed the bone, the actual hand bone to them.

 

Carla Gallo  10:41

You’re right. And I did notice that Charlie smells the box. I made a note of it, and I thought it might be an improv. I thought it was very funny that he did that […] .

 

Emily Deschanel  10:51

I feel like people were so good looking a lot of times or not as fun or funny.

 

Carla Gallo  10:58

That’s they say, no offense to the really good looking listeners. But, when you’re maybe not as that, you had to cultivate some humor. And I also noticed, by the way, when you mailed the bears.

 

Emily Deschanel  11:11

That’s hard realization that I’ve had.

 

Carla Gallo  11:13

I know.

 

Emily Deschanel  11:14

But I guess we’ll just say, he did a good job.

 

Carla Gallo  11:17

He did a good job. But, when you mail the bear scat, he does not smell the box. I noticed that because I was like, smell the bear scat. Let’s focus on the bear scat for a minute. That’s the biggest pile, but that’s also the biggest pile of bear crap. And I’ve seen some bear crap that day.

 

Emily Deschanel  11:37

[…] Yeah, I don’t remember honestly, it was a long time ago.

 

Carla Gallo  11:43

It’s speedy and darker, and not mountainous. That was very mountainous pile.

 

Emily Deschanel  11:43

I do remember it very squishy. And I think it was cellulose or something that they made up.

 

Emily Deschanel  11:55

That’s in Arizona, Griffith Park, by the way.

 

Carla Gallo  11:55

You get right in there.

 

Carla Gallo  11:58

Oh!

 

Emily Deschanel  11:59

Where they discover the bear and thing at the end, the ritualistic kind of stone.

 

Carla Gallo  12:05

Oh, yeah, imperfect shape and untouched.

 

Emily Deschanel  12:10

You kind of expect it to be bigger when he says it’s like Stonehenge, or whatever he says. But all of that, I believe, at Griffith Park, and then we did stuff at one of those ranches out. Maybe it’s one of those ranches; Disney Ranch or something, where we had the cabin.

 

Carla Gallo  12:27

Oh, right. A lot of generalizations. I noticed about Native Americans in this episode. To be honest, I don’t think most of itwas offensive.

 

Emily Deschanel  12:41

No.

 

Carla Gallo  12:41

Except there was, I think, discussion of like, “Oh, the park ranger who’s Native American, or they said Indian”. It makes sense that he would be a cannibal, because there’s some ritual or some tradition in that. That was the only thing I think is like, aside from that time, you would say Indian. So it’s not, you know?

 

Emily Deschanel  13:02

Well, I don’t know if we’re the best people to determine what’s offensive or what’s not entirely to native people, but I think that we can all agree that saying it makes sense for a native person to be cannibal, is offensive.

 

Carla Gallo  13:18

I would say so.

 

Emily Deschanel  13:19

I think that’s pretty sick.

 

Carla Gallo  13:20

I would agree. I think we could kind of jump to once we realize that there’s a cannibalistic element. Oh, that was the onetell. And I did write it down, and I was like, “Oh, it’s the doctor”. And then I was really proud of myself, because he says.

 

Emily Deschanel  13:38

Yeah.

 

Emily Deschanel  13:38

You good.

 

Carla Gallo  13:38

I know. I was actually surprised because he goes, and it’s supposed to be obviously. Like, is this a red herring, or is this? And he goes, “Oh, the cannibal”, and you’re like, “How did you know I was asking about?”.

 

Carla Gallo  13:40

Because you’re asking about the mental illness that comes with eating human flesh.

 

Emily Deschanel  13:52

Yes.

 

Carla Gallo  13:53

And he’s like, “Oh, the cannibal. Well, everyone knows about it”, but I wrote down in my notes, “Oh, is the doctor, the cannibal?”. So, I was proud of myself at the end because I had figured out. Like I said, I was very invested. […] When you realize that the other guy who’s missing, based on the tattoo flesh, the flesh in the bear’s stomach.

 

Emily Deschanel  14:19

Has it in the skin in the scat.

 

Carla Gallo  14:23

Yes, the skin in the scat has a sun. And so we Hodgins and Angela figure out, it’s sent back to them. And then they figureout that this is a native tattoo.

 

Emily Deschanel  14:34

Yes.

 

Carla Gallo  14:34

And then you guys know that it matches this guy who was wanting to become a park ranger who used to visit the ranger from this episode, and so you guys go to his place.

 

Emily Deschanel  14:47

Yeah.

 

Carla Gallo  14:47

Just sort of be like, “Hey, you knew this guy”. But also the tattoo, you’re quote, unquote Indian, and therefore you’re probably cannibal.

 

Emily Deschanel  14:57

Yeah.

 

Carla Gallo  14:57

Highly offensive.

 

Emily Deschanel  14:58

Highly offensive. But Brennan is open to cannibalism […] .

 

Carla Gallo  15:02

I did enjoy that as well when she’s like, “I’d have to think about it”.

 

Emily Deschanel  15:06

Yeah.

 

Carla Gallo  15:07

It depends on the culture I did. It was very funny, by the way.

 

Emily Deschanel  15:10

I thought it was very funny.

 

Carla Gallo  15:11

Yeah, but so he goes running. You guys investigate, you find not only a wall of knives, but another hidden wall of knives.

 

Emily Deschanel  15:20

Scary wall of knives.

 

Carla Gallo  15:21

Yeah. You’ve all been discussing the wall of knife. I think he was a chef.

 

Emily Deschanel  15:26

The normal wall of knives.

 

Carla Gallo  15:28

Yeah.

 

Emily Deschanel  15:28

I have four knives on than that, I’d say.

 

Carla Gallo  15:30

Maybe something on a wall, I think it’s them being on a wall.

 

Emily Deschanel  15:33

Yeah. But lots of people store their knives like that. That is not suspicious.

 

Carla Gallo  15:36

Maybe he didn’t have a lot of drawer space.

 

Emily Deschanel  15:38

I laughed about that.

 

Carla Gallo  15:39

You did?

 

Emily Deschanel  15:40

I did.

 

Carla Gallo  15:40

But then there’s a hidden wall. Then you open a cabinet, there’s like a hidden wall.

 

Emily Deschanel  15:43

Yeah, and there’s like an ax or something.

 

Carla Gallo  15:45

I didn’t know. But then, it didn’t open.

 

Emily Deschanel  15:49

He was a killer.

 

Carla Gallo  15:50

But then you open a freezer full of meat.

 

Emily Deschanel  15:54

We found out it’s bear meat.

 

Carla Gallo  15:56

Bear meat.

 

Emily Deschanel  15:57

Another thing that gets sent back to us so much […]. By the way, side note.

 

Carla Gallo  16:01

Yeah.

 

Emily Deschanel  16:03

We’re sending human remains via some kind of Fedex tape. Let me tell you that I have tried to send human remains.

 

Carla Gallo  16:12

What are you talking about? […] .

 

Emily Deschanel  16:18

I’m laughing. It’s only funny because my grandparents were cremated.

 

Carla Gallo  16:23

Oh, god.

 

Emily Deschanel  16:24

And when we moved them out, my mom asked me, we all got.

 

Carla Gallo  16:27

No, I want to hear about it. I am fascinated.

 

Emily Deschanel  16:34

Okay, they were cremated. We all got a bigger one.

 

Carla Gallo  16:40

Okay.

 

Emily Deschanel  16:40

They combine their ashes together.

 

Carla Gallo  16:42

Okay, did they die at the same time?

 

Emily Deschanel  16:45

No.

 

Carla Gallo  16:45

Okay.

 

Emily Deschanel  16:46

We had one of them. And my grandma, after my grandpa died, she had his ashes and then when she died, they wanted them combined.

 

Carla Gallo  16:55

And that was their wishes to combine them.

 

Emily Deschanel  16:59

And they have an option on bursting them . I have a small thing of both my grandpa.

 

Carla Gallo  17:02

But your grandma said “Please combine our ashes”.

 

Emily Deschanel  17:05

Yes.

 

Carla Gallo  17:05

They must have been very in love.

 

Emily Deschanel  17:07

I think they were.

 

Carla Gallo  17:08

[…] No offense to mark. I just don’t know if I want my ashes combined with his, no offense. Is that a reflection of my love for him? I’m just saying that feels too personal.

 

Emily Deschanel  17:09

I don’t even care what you do with that.

 

Emily Deschanel  17:27

I kind of feel like when I’m gone, that’s not me anyway.

 

Carla Gallo  17:27

I know that’s how most work.

 

Carla Gallo  17:32

I’m not that way. I suck. You have no idea. I’m sure this will come up many I am like, “You should? You gotta preserve that in some Amber”. Like, I don’t know what you have to do. You have to make jewelry out of it, and you have to wear it. I need to remain present. I can’t. You can’t let them blow away.

 

Emily Deschanel  17:53

You don’t want to be mixed up.

 

Carla Gallo  17:55

No.

 

Emily Deschanel  17:56

Tinned with Mark and soiled.

 

Carla Gallo  17:59

No, the purity of my bones preserved. To get into deeper conversation, I don’t know if I want to be cremated.

 

Emily Deschanel  18:06

Yeah.

 

Carla Gallo  18:07

I don’t know.

 

Emily Deschanel  18:08

There’s the natural one.

 

Carla Gallo  18:11

I mean, I would be planted under a tree. I would do that.

 

Emily Deschanel  18:16

[…] They have different ones where you go and they put you in a tube, and then you decompose.

 

Carla Gallo  18:22

Oh, without any cremation.

 

Emily Deschanel  18:24

You just soil.

 

Carla Gallo  18:26

Yeah? I mean, I’m kind of into that.

 

Emily Deschanel  18:29

That’s the right thing environmentally to do. I just want to get my mind around it. Clearly, I have some attachment to my body.

 

Carla Gallo  18:34

Ah, interesting.

 

Emily Deschanel  18:36

But I’d rather be burned.

 

Carla Gallo  18:38

Then put under tree.

 

Emily Deschanel  18:40

I don’t mind putting under the tree, but it’s decomposing a tube that freaks me out. But, I intellectually think that’s the best way.

 

Carla Gallo  18:49

Right.

 

Emily Deschanel  18:50

Because cremation is also bad for the environment.

 

Carla Gallo  18:53

I bet, I’m sure. But wait, let’s back to your show. I want to hear about your grandparent loved each other so much that they mix their ashes.

 

Emily Deschanel  19:00

And my mom asked me to send hers and mine, I guess. And she’s like, “Just take it up”.

 

Emily Deschanel  19:00

They mix their ashes.

 

Carla Gallo  19:00

Okay.

 

Carla Gallo  19:11

She was saying, “Send your portion to me”.

 

Emily Deschanel  19:14

No, send hers down like we were in.

 

Carla Gallo  19:16

Oh! okay.

 

Emily Deschanel  19:16

My grandparents lived when they both passed away, and then I took UPS.

 

Carla Gallo  19:17

Did you them what it was?

 

Emily Deschanel  19:25

Not at first, but they figured it out.

 

Carla Gallo  19:28

They did?

 

Emily Deschanel  19:32

And they’re like, “Is this human remains?”.

 

Carla Gallo  19:33

No!

 

Emily Deschanel  19:34

And I was like, “Yeah”. I was trying to do it. I would, I personally wouldn’t have gone.

 

Carla Gallo  19:41

How did they know? Was it in a box that said something?

 

Emily Deschanel  19:43

No, I don’t know if it was already in an urn type thing.

 

Carla Gallo  19:48

I mean, that’s again, that’s how […] .

 

Emily Deschanel  19:53

But I think it was in a pot, I don’t know. We can’t ship human remains. I said, “Okay”. And then they told me they recognized me from Bones.

 

Carla Gallo  20:08

And then they were like, “Now we will ship human remains”.

 

Emily Deschanel  20:13

So not only did I try to ship […] .

 

Carla Gallo  20:15

Well, I love that they recognized. I love that they were like, “Oh, the woman got Bones, tried to ship human remains, a life imitating art”. But, what did you do with the ashes, by the way?

 

Emily Deschanel  20:27

I took it on the airplane and then got stopped at TSA.

 

Carla Gallo  20:35

Oh, also because of the remains?

 

Emily Deschanel  20:37

Also because of the remains.

 

Carla Gallo  20:39

Are you allowed or not allowed?

 

Emily Deschanel  20:41

The guy was very kind and told me, like, “Oh, I had my brother made into a necklace”.

 

Carla Gallo  20:48

What’s gonna happen to me?

 

Emily Deschanel  20:49

Something like “What’s gonna happen to you?”.

 

Carla Gallo  20:49

Yeah […] An Etsy shop.

 

Emily Deschanel  20:53

With just better be a beautiful necklace.

 

Carla Gallo  20:56

It better be, there’s gonna be enough for a lot of.

 

Emily Deschanel  20:59

I know this was gonna say it’s a whole Etsy shop.

 

Carla Gallo  21:03

Yeah.

 

Emily Deschanel  21:03

But, can I make a request?

 

Carla Gallo  21:05

Yes, of course.

 

Emily Deschanel  21:07

If I’m still around.

 

Carla Gallo  21:08

Okay.

 

Emily Deschanel  21:08

When you pass.

 

Carla Gallo  21:09

Oh my god. Okay.

 

Emily Deschanel  21:13

Can I please get a Brennan style necklace with your ashes?

 

Carla Gallo  21:20

You know what? Yeah.

 

Emily Deschanel  21:21

I will do the same for you.

 

Carla Gallo  21:23

I mean, the fact that you would want that style is what questionable about this ask, it’s not that you want to wear my ashes. It’s not the special order you’re putting in many years in advance. It’s the style that you’re looking for that shocks me here.

 

Emily Deschanel  21:38

I’m full of surprises.

 

Carla Gallo  21:39

I know, you really are you.

 

Emily Deschanel  21:41

We’ll be back with more Boneheads right after this quick break.

 

Emily Deschanel  21:45

Back and forth.

 

Carla Gallo  22:12

They’re shipping all this stuff. So now, we’re at the point where you guys have taken in the Ranger. You’ve sort of like, arrested him. You’re taking bite impressions on everything […] Oh, right.

 

Emily Deschanel  22:26

Then Booth was very sensitive that I was.

 

Carla Gallo  22:28

Oh, because he’s flashlight went out, very sensitive. That was very funny with Angela. And then he has to get on the phone. Very funny scene.

 

Emily Deschanel  22:36

Well, you didn’t get it that you didn’t find him.

 

Carla Gallo  22:38

Yeah. That’s what prompts Angela’s like, “Go find, go have fun and have drinks”. And you’re like, “Fun and drinks, where do we find that?”

 

Emily Deschanel  22:46

Yeah.

 

Carla Gallo  22:47

And that’s when you end up at the bar where every single character is as they would be in one time […]. Really passing you around.

 

Emily Deschanel  22:56

I know.

 

Carla Gallo  22:56

You got really passed around.

 

Emily Deschanel  22:58

I really did it worked out. But did you notice that Booth and Brennan danced like more best? Was that really?

 

Carla Gallo  23:05

No, I don’t know.

 

Emily Deschanel  23:06

I don’t know if it was.

 

Carla Gallo  23:07

I noticed that you and Charlie did not.

 

Emily Deschanel  23:09

We did not dance together.

 

Carla Gallo  23:10

It was so awkward.

 

Emily Deschanel  23:11

Very awkward […]. I don’t remember if that was a choice, it might have been, or maybe even natural that worked better.

 

Carla Gallo  23:18

The doctor danced well with you like little more better.

 

Emily Deschanel  23:21

Yeah. We each point got a little bit, although I don’t know if the share, I can’t remember the share.

 

Carla Gallo  23:25

I can’t remember the share.

 

Emily Deschanel  23:26

I noticed Charlie was very awkward. I noticed the doctor was also awkward, maybe not quite as awkward as Charlie.

 

Carla Gallo  23:33

Yeah, he’s just a little more like take charge. And Charlie you do say, I’m not a dancer. I lead, and he’s like “It’s so weird”.

 

Emily Deschanel  23:44

It was very uncomfortable. Clear that we do not belong together.

 

Carla Gallo  23:46

You didn’t have chemistry together.

 

Emily Deschanel  23:47

We did not have them.

 

Carla Gallo  23:48

Despite your very attractive faces.

 

Emily Deschanel  23:54

He’s very attractive. I didn’t remember the person being so attracted. I was like, “Oh, look at him”. I actually thoughthe’s gonna be the killer.

 

Carla Gallo  24:02

I wanna see Charlie, Rusty Joiner.

 

Emily Deschanel  24:06

I just wanna know who was.

 

Carla Gallo  24:09

Okay. So, you do go out looking for the Ranger, and Booth finds like a button.

 

Emily Deschanel  24:18

That is his own button.

 

Carla Gallo  24:18

Oh! Is that his own? […]

 

Emily Deschanel  24:22

Remember also when we got dancing, I say, “What happens to your shirt?” And he’s like, “We’re out look”. But I think he dropped his button, same shirt? I think he didn’t change. I think it was a story point, but I’m not sure.

 

Carla Gallo  24:39

Okay, that’s right. You just say, what happened? […] .

 

Emily Deschanel  24:41

Yeah, I think he dropped. I’m very good at remembering very tiny details.

 

Carla Gallo  24:45

Oh, really?

 

Emily Deschanel  24:46

But I’m not great at telling you what happened all over the episode.

 

Carla Gallo  24:50

Well, the two of us will piece it together.

 

Emily Deschanel  24:53

We’ll just piece it together.

 

Carla Gallo  24:54

You do find him the Ranger, and I’ll sort of speed through, because of eventually the apple bite. You took an apple and you saw his bite pattern. Well, first of all, you already found out. So he’s in a custody.

 

Emily Deschanel  25:11

Who’s apple did I take?

 

Carla Gallo  25:12

You took the Rangers apple.

 

Emily Deschanel  25:13

Oh, right.

 

Carla Gallo  25:13

And so because of his bite pattern, and because it was bear meat, you know he’s not the cannibal, and you also know he’s a poacher.

 

Emily Deschanel  25:22

Yes.

 

Carla Gallo  25:23

So he is just a shock, even though I forgot that plot point as I was watching, I was like, “Oh, right, it was a poacher”. I justforgot.

 

Emily Deschanel  25:36

There’s lots of things. I’m just battled by how many things that happen in any one episode, really.

 

Carla Gallo  25:42

Yeah.

 

Emily Deschanel  25:43

In this episode particular, but any episode so much happens.

 

Carla Gallo  25:48

I know, it’s true. We skipped over something so important. When you get the Ranger, you notice that some leaves are very shiny, and you know that there’s gasses.

 

Emily Deschanel  26:06

I can’t remember what kind of gasses sear, or something.

 

Carla Gallo  26:08

No, it’s methane.

 

Emily Deschanel  26:10

Oh, yes.

 

Carla Gallo  26:12

You’re like, leaning down. Not only do we find the stone pattern.

 

Emily Deschanel  26:18

Okay. Oh, once we find the stone pattern.

 

Carla Gallo  26:21

But you see the leaves, and you’re like, “There’s methane gas”. It’s a bit of a detail. And then you realize, and you uncover, there are two dead bodies.

 

Emily Deschanel  26:31

Two bodies one with large, firm breast. Hiker.

 

Carla Gallo  26:36

Yes.

 

Emily Deschanel  26:36

Sternum has been split open with large, firm breasts with the right noise. And then the man missing his arm.

 

Carla Gallo  26:42

Correct.

 

Emily Deschanel  26:44

So whoever killed these people ate the heart position precisely, and ate the heart and armed strength […] .

 

Carla Gallo  26:52

Because on that Native American thing, says the different.

 

Emily Deschanel  26:57

And then we figured that there should be several more people that […]. And then at some point we discovered that there’s something in. Do we determine that this particular human meat has that virus or thing that makes you sick?Because I feel any cannibal would say.

 

Carla Gallo  27:23

Yes, I think you said that you were like, “Anyone who eats human remains is gonna get XYZ”, whatever that was, which was someone who becomes a little bit crazy. How do you get to the point where you realize it’s the doctor?

 

Emily Deschanel  27:46

Because he’s seen the body. So we bring the bodies back to the doctor, who’s also in the corner there. He doesn’t mention that the body was opened with a sternum spreader.

 

Carla Gallo  28:01

Yeah.

 

Emily Deschanel  28:03

One is sternum spreader rare.

 

Carla Gallo  28:05

Yeah.

 

Emily Deschanel  28:05

Unusual, only a doctor would really have that. There’s only this doctor in town. The next one is he didn’t mention that about on the study.

 

Carla Gallo  28:13

Yes, correct. You realize it’s Dr. Rigby.

 

Emily Deschanel  28:18

Yeah. […]

 

Carla Gallo  28:21

Well, Booth hands you a gun.

 

Emily Deschanel  28:22

Yeah, but I asked for a gun.

 

Carla Gallo  28:23

Did you? Okay.

 

Emily Deschanel  28:25

Yeah. I say, I need a gun. Something about wanting a gun or needing a gun, and he gives me one of his guns, one of his multiple guns.

 

Carla Gallo  28:33

Yes. […]

 

Emily Deschanel  28:35

He’s gonna destroy the other day behind and I walk right in front of him.

 

Carla Gallo  28:38

Of course, you would.

 

Emily Deschanel  28:39

Not a good move. If he has a gun, I should allow him.

 

Carla Gallo  28:43

But you both walk in with your guns drawn. I think when he’s burning the body because he’s trying to release the souls or something like that. He does believe in […] .

 

Emily Deschanel  28:54

I like the fact that I knock him out with the best hand.

 

Carla Gallo  28:57

Yes, I like that too. I think that was very funny. You’re like, “I don’t want to hear this crazy”.

 

Emily Deschanel  29:02

I like that

 

Emily Deschanel  29:03

Thank you. […]

 

Carla Gallo  29:03

I like that too.

 

Emily Deschanel  29:12

Okay, I have a story about that occassion.

 

Carla Gallo  29:15

Then tell me.

 

Emily Deschanel  29:15

That’s like a deserted hospital. I believe, an old hospital.

 

Carla Gallo  29:20

Where is that town? Like, down near LAX because I shot.

 

Emily Deschanel  29:26

Maybe in Argentina.

 

Carla Gallo  29:27

Okay.

 

Emily Deschanel  29:27

We’ve filmed in a few different ones. I feel like I filmed in one like that.

 

Carla Gallo  29:31

Empty hospitals. There are a few of them out there.

 

Emily Deschanel  29:34

Yeah.

 

Carla Gallo  29:34

Which is shocking, because you’re like, “A, how does that go out of business?”  I mean, I know it is a business, but I always shocked by that. But it’s right everyone, and this is just huge, empty building. I shot a really not great horror film in one of them.

 

Emily Deschanel  29:35

It is such a great horror movie.

 

Carla Gallo  29:50

Yeah, my arm gets ripped off in the movie. But anyway, […] there’s nothing creeper than shooting in an abandoned

 

Emily Deschanel  29:50

Yeah.

 

Carla Gallo  29:50

I don’t know about yours, this one still had charts and things like, there was paperwork left behind.

 

Emily Deschanel  30:12

Well, they probably clear all that if bones is a big enough to production that they probably clear. I don’t know if they did but they certainly would clear things. You know how you work in some productions where they’re like, everything’s cleared and clean and everything before you get there. And then some productions is not.

 

Carla Gallo  30:32

Well, yeah. I feel like I’ve worked on stuff and been like, “Wait, the picture frames on this desk are from some other production”. Maybe that’s just a reusing of things.

 

Emily Deschanel  30:40

Yeah.

 

Carla Gallo  30:40

But I feel like, sometimes I’ve been like, “Wait”.

 

Emily Deschanel  30:42

Wait, the hospital.

 

Carla Gallo  30:44

Okay.

 

Emily Deschanel  30:48

It’s not that great of a story, but I just remember. I think it might have been during this episode, because I think it was this; I totally broke down crying.

 

Carla Gallo  30:56

Why?

 

Emily Deschanel  30:58

Because I had worked 19 to 20 hours, I woke it up at three or two in the morning, have you done with those satellite media tours where you get piped into, like David and I did?

 

Carla Gallo  31:15

I haven’t. I’ve done the ones where you go into different rooms. I’ve done that thing.

 

Emily Deschanel  31:22

Oh, press. What does that call?

 

Carla Gallo  31:25

Press day.

 

Emily Deschanel  31:25

I don’t know.

 

Carla Gallo  31:27

Don’t junk it. I’ve done that, but I have not done the thing you’re talking to.

 

Emily Deschanel  31:31

You go to a specific place and they tap you into different new shows, local new shows across the country.

 

Carla Gallo  31:37

Stop. […] To sit in one place.

 

Emily Deschanel  31:38

And you’re like, “Miami”.

 

Carla Gallo  31:40

Yeah.

 

Emily Deschanel  31:40

Miami how’s the weather or whatever. And then you’re like, “Atlanta, how’s peach tree?”. Peach tree street or whatever, everything’s peach lips. You’re like, connecting to everyone in different places. We did that in the morning and I think David didn’t, I don’t know, somehow.

 

Carla Gallo  32:03

You had to work that day?

 

Emily Deschanel  32:05

I had to work a full.

 

Carla Gallo  32:05

That’s insane. Like you had done that morning.

 

Emily Deschanel  32:08

After that, I broke down just exhausted, crying at the end.

 

Carla Gallo  32:11

It always feel interesting when you tell me, and I’m sure some of it is season one, like adjustment stuff.

 

Emily Deschanel  32:19

Yeah.

 

Carla Gallo  32:19

Because I feel like by the time I came in, you were a well oiled machine. I never saw a crack in your armor. […]Hypothetically, I was talking too long or something, you’d be like, “Okay, I’m sorry. I actually have to work on my lines.”or “Will you run lines with me?” You were aware of what needed to have, you know what I mean?

 

Emily Deschanel  32:21

Yeah. At that point, I became a robot, basically.

 

Carla Gallo  32:50

Yeah.

 

Emily Deschanel  32:52

Certainly with learning lines and hitting marks, all that.

 

Carla Gallo  32:54

Yeah, I just didn’t see. It’s interesting to hear these stories and I so didn’t encounter that person who would have the end of the day. Like, never.

 

Emily Deschanel  33:07

There were times. But no, the first season was just so intense, and also they figured out how to put me in less scenes anduse the other actors.

 

Carla Gallo  33:15

That’s true.

 

Emily Deschanel  33:15

Who are so great and they should be utilized.

 

Emily Deschanel  33:17

I mean, you don’t notice the difference. You feel like they’re utilized, but they were utilized more and smarter. They use them smart. Season one, I didn’t have days off and it’s very long hours. And every Saturday, Friday, went into Saturday, and then every Sunday night I could not sleep. There’s so many Mondays where I come and I’m like, “I did not sleep one minute last night”.

 

Carla Gallo  33:17

Yeah.

 

Carla Gallo  33:42

No!

 

Emily Deschanel  33:43

And you just have to do your whole 14 hour day. Anyway, it was just a lot and so that affected me for sure.

 

Carla Gallo  33:55

Never experienced something like that before.

 

Emily Deschanel  33:57

I was gonna say it’s almost like your first child, you should go from 0 to 60.

 

Carla Gallo  34:02

I right now, am in very much a phase of like, “I’m not used to working a lot”. It’s within the minute that I like this summer, it was working and I would just be like, “If I had three days in a row, it was like the end of the world”. I was like, “Mark, I cannot be present, I will not be parenting, I will not be here for” you know, I would work for three days and I wouldn’t work for two weeks because we were block shooting on platonic. To be perfectly honest, even today, I’m just not in a work zone.

 

Emily Deschanel  34:40

Well, yeah. But, we are working hard.

 

Carla Gallo  34:41

I know we were last night.

 

Emily Deschanel  34:44

On the podcast.

 

Carla Gallo  34:44

As I told you, my younger daughter Marga woke me up at maybe three in the morning. “Mama, mama” and I made Marco down and deal with her.

 

Emily Deschanel  34:58

Oh, that’s good.

 

Carla Gallo  35:00

Yeah. […] He was like, “Are you gonna like?” and nobody responded. Usually, I just get right up and I go. I’m gonna deal with it and I’m gonna take care of it.

 

Emily Deschanel  35:08

Yeah, moms usually do.

 

Carla Gallo  35:10

Yeah. And so he’s like, “Are you gonna go?” I was like, “No”. Because in my head, I am recording the podcast. Like, I’m not kidding.

 

Emily Deschanel  35:28

Once we’re in the real swing of things with podcast.

 

Carla Gallo  35:30

Oh, yeah. It’ll be no big deal. But, I couldn’t fall back asleep because I was so stressed out. And then I woke in the morning, barely woke up. I couldn’t fall back asleep. And in the morning I was like, “I don’t know how I’m gonna record today”. So that is, by contrast to how you were functioning with these, probably 14 to 16 hour days.

 

Emily Deschanel  35:51

Yeah.

 

Carla Gallo  35:52

From 0 to 60.

 

Emily Deschanel  35:53

And that one day where I totally broke down, I know it’s at least 19 hours. I remember registering like, “We’ve gone over 19 hours”, from when I started work, like at four in the morning.

 

Carla Gallo  36:05

The junkie thing.

 

Emily Deschanel  36:06

The satellite media.

 

Carla Gallo  36:09

Okay.

 

Emily Deschanel  36:10

I don’t want to complain.

 

Carla Gallo  36:11

No.

 

Emily Deschanel  36:12

We get paid well.

 

Carla Gallo  36:13

Yeah.

 

Emily Deschanel  36:13

I’m not complaining at all. But it is.

 

Emily Deschanel  36:16

I don’t want to say that I don’t crack, but you’d never cracked when I was there. That’s all I’ll say.

 

Carla Gallo  36:16

It’s hard.

 

Carla Gallo  36:22

Good. Well done.

 

Emily Deschanel  36:23

Thank you. I think there’s times when I was pregnant and that’s all other guy cracked. There’s so many times for a season I remember being annoyed because you literally can’t go to the bathroom without them. Like following you to the bathroom. I remember going back to my trailer.

 

Carla Gallo  36:41

Why?

 

Emily Deschanel  36:43

They would walk to my trailer that’s right outside then I went back to the trailer and just to use a bathroom, and maybe even I had a change for the next scene but I literally only went. I would never go to my trailer, except to change especially.

 

Carla Gallo  36:58

Yeah.

 

Emily Deschanel  36:59

I would later on, for sure. They encouraged me to actually to rest.

 

Emily Deschanel  37:03

But then I get to my trailer, and it’s like, “Emily?”

 

Carla Gallo  37:03

Okay.

 

Carla Gallo  37:07

Yeah.

 

Emily Deschanel  37:09

And I remember going back to Steve Beers who was one of our producers, or producer at the time. I just walked up and Iknocked on something […].

 

Carla Gallo  37:19

And he was probably like, “Okay, she needs a break”.

 

Emily Deschanel  37:25

She’s literally went into the bathroom […] .

 

Carla Gallo  37:30

That makes me crazy. You’ve just gotten in there, and then you got the knock.

 

Emily Deschanel  37:35

Literally close the door, “Emily, they’re ready for you”.

 

Carla Gallo  37:38

Oh!

 

Emily Deschanel  37:39

Can you just recognize that?

 

Carla Gallo  37:40

Yeah, give me the time.

 

Emily Deschanel  37:42

Then you find a flow and you realize, “Oh, well. I’ll learn to the bathroom change after the rehearsal, or whatever”.

 

Carla Gallo  37:42

Yeah.

 

Emily Deschanel  37:43

I know that at the time, I don’t know.

 

Carla Gallo  37:45

Yeah.

 

Emily Deschanel  37:45

I certainly was lighting my mind.

 

Carla Gallo  37:55

I love that you went knock.

 

Emily Deschanel  37:56

People follow like a crazy person, and you are my witness that I was not.

 

Carla Gallo  38:05

No.

 

Emily Deschanel  38:06

A crazy person, mostly this show.

 

Carla Gallo  38:09

No, you grew a lot of great. You had a lot of personal growth by the time that I got there.

 

Emily Deschanel  38:17

Yeah.

 

Emily Deschanel  38:18

We have to take a really quick break. We’ll be back with more Boneheads in just a bit.

 

Carla Gallo  38:21

I think we can wrap it up, because I feel like we know that it’s the the doc. Is this Dr. Rigby we know?

 

Carla Gallo  38:55

We see him burning the bodies. I don’t know how you know that he has that mental illness, and because from the time you see him burning the body, we just sort of like, “Come out” and you guys talk about him losing his mind, and will he stay at trial or they gonna say that he was crazy?

 

Emily Deschanel  38:55

Yes.

 

Emily Deschanel  39:03

Yes.

 

Carla Gallo  39:04

And you’re like, “Well, he’s crazy”. Well, it’s hard to say if which.

 

Emily Deschanel  39:16

Came first.

 

Carla Gallo  39:20

Yeah.

 

Emily Deschanel  39:21

Chicken or egg?

 

Carla Gallo  39:24

Yeah.

 

Emily Deschanel  39:24

Crazier or human meat.

 

Emily Deschanel  39:27

Now, I did have a memory of when we have that breakfast scene at the end.

 

Carla Gallo  39:27

Yeah.

 

Carla Gallo  39:32

Oh! is there a little improvity in there? Because I thought I saw […] .

 

Emily Deschanel  39:36

Yeah, I think I was feeding that you might have been improvised.

 

Carla Gallo  39:40

You had a little smile.

 

Emily Deschanel  39:41

Yeah.

 

Carla Gallo  39:41

It was cute because you were, like, “Doing corn flakes?” and then you move the bowl closer then you were feeding a baby.

 

Emily Deschanel  39:46

We got to improvise a little bit here and there.

 

Emily Deschanel  39:46

Yeah.

 

Carla Gallo  39:46

Like, you put your hand under the spoon, and put it towards him, and you have this little smirk on your face. And I was like, “That’s an improvise”. I just know it.

 

Carla Gallo  39:56

Yeah.

 

Emily Deschanel  39:56

Especially the end of episodes we were have some freedom.

 

Carla Gallo  39:58

Yeah. But, that’s nice and shows the relationship. I thought it was very sweet […] .

 

Emily Deschanel  40:04

I know it is. I don’t think we have really established the end of every episode or most every episode of Bones, there’s a formula, like we talked about the beginning.

 

Carla Gallo  40:16

Right.

 

Emily Deschanel  40:18

Discovery of the body.

 

Carla Gallo  40:19

Yeah.

 

Emily Deschanel  40:20

Then the end is Booth and Brennan talking together, kind of talking back and forth. Woody report, if you will.

 

Carla Gallo  40:20

Cute.

 

Emily Deschanel  40:24

But I had a memory of that scene where we had our breakfast and Lisa Mack.

 

Emily Deschanel  40:35

If you remember our amazing props person, she was getting all our props ready together, and I remember David saying,”You’re really good at this job”. And you know, gone on to work with him on his SEAL Team show and everything. She’s very good. She’s so good.

 

Carla Gallo  40:35

Yes.

 

Carla Gallo  40:55

Yeah.

 

Emily Deschanel  40:55

And at some point, we’ll talk about how amazing she is with weapons, like our training with weapons and how careful everyone was.

 

Emily Deschanel  41:07

And I hope to talk to Mike Rosso, who also the law enforcement consultant on the show.

 

Carla Gallo  41:07

Yeah, very.

 

Carla Gallo  41:12

Yeah, for sure.

 

Emily Deschanel  41:13

I don’t know if you had any interaction with Mike, because you probably didn’t need to.

 

Emily Deschanel  41:14

Yeah, I don’t know if I did. Oh! This is my favorite line.

 

Carla Gallo  41:14

I know.

 

Carla Gallo  41:23

Oh, okay.

 

Emily Deschanel  41:24

Dr. Goodman.

 

Carla Gallo  41:25

Okay, tell me.

 

Emily Deschanel  41:26

“Come on now. You have partially digested, dismembered skeletal remains to examine. That should put a smile on your face”. I don’t see it as good as him.

 

Carla Gallo  41:35

That’s a good one […] .

 

Emily Deschanel  41:38

His voice […] .

 

Carla Gallo  41:44

I do like the idea of ending on a favorite line.

 

Emily Deschanel  41:49

I like that thing too.

 

Carla Gallo  41:50

But, I don’t think I wrote down a favorite line, but for me, I think my favorite part was that mountainous pile of bear scat.I just really couldn’t believe it. So, that is my favorite part of the whole episode.

 

Emily Deschanel  42:10

We can end on that.

 

Carla Gallo  42:11

Okay.

 

Emily Deschanel  42:12

Do you know what it’s time for?

 

Carla Gallo  42:13

I do know what it’s time for.

 

Emily Deschanel  42:16

10 Questions.

 

Carla Gallo  42:18

I can’t. I shouldn’t sing, it’s not a good idea for anybody.

 

Emily Deschanel  42:20

No, it sounds good. […] Your daughter thinks you can sing. I saw that. Who was it? Which one?

 

Carla Gallo  42:25

Margo.

 

Carla Gallo  42:26

On the refrigerator, there is a piece of paper that says, “My mom is good at sing”. But the best one is it says, “My mom always sleep”. That’s her impression of me a few years ago, and I had to put it up.

 

Emily Deschanel  42:26

Margo.

 

Emily Deschanel  42:45

You have favorite thing in your house.

 

Carla Gallo  42:47

I’m surprised that’s all she’s noticed that I’m doing,  but anyway.

 

Emily Deschanel  42:53

I mean, it could be worse.

 

Carla Gallo  42:54

It could have been a way worse.

 

Emily Deschanel  42:57

My mom always yelling.

 

Carla Gallo  43:00

Yeah.

 

Emily Deschanel  43:01

My mom always yell.

 

Carla Gallo  43:03

The teachers find out the real what’s going on in the house.

 

Emily Deschanel  43:06

Yes, they do, especially when they’re little.

 

Carla Gallo  43:09

But right now, let’s find out.

 

Emily Deschanel  43:11

And question.

 

Carla Gallo  43:12

What @Kate’s mixed Insta 1812, asked. She says, I have a question for Emily and Carla. “What is your favorite episode of season one?” and Emily, “What was your favorite episode to shoot?”

 

Emily Deschanel  43:30

I think we both had the same favorite episode.

 

Carla Gallo  43:32

Yeah, I think so.

 

Emily Deschanel  43:33

Because we were discussing this not that long ago, and you said yours. It’s when I thought about, I was like, “Oh, yeah, the bottle episode”.

 

Carla Gallo  43:34

The holidy bottle episode.

 

Emily Deschanel  43:38

Is it the man in the fallout shelter? I was just trying to think, that’s what it is.

 

Carla Gallo  43:50

Yeah.

 

Emily Deschanel  43:50

Just so we have the title.

 

Carla Gallo  43:51

Yeah.

 

Emily Deschanel  43:53

It’s just good. It’s really heartwarming. You can know about the characters, it’s really feels good.

 

Carla Gallo  43:59

It does well, you’re all together and bonded. And there’s a lot of emotional stuff, more than gross bodies and things like that. It’s just the families coming to visits. You’re kind of getting to know everyone and at the end, we talk about it in theepisode, but you open up gift and you’re emotional. I don’t know, I found it to be a very touching episode.

 

Emily Deschanel  44:23

And it says, “What was your favorite episode to shoot?”, that is hard to say. Probably the pilot, because it was all new and fresh. We got to know each other, it was exciting. We had double the time to film, we had 14 days or something to film that episode. Maybe isn’t 14? Oh, why? It might have been.

 

Carla Gallo  44:43

Yeah, probably.

 

Emily Deschanel  44:46

It was also very stressful, because I’d never done anything like it, there’s just so much pressure, and we want to get itright and make it look good.

 

Carla Gallo  44:53

Get the show picked up.

 

Emily Deschanel  44:54

That’s the most important thing. So the pilot is probably my favorite.

 

Carla Gallo  44:58

So exciting, a pilot.

 

Emily Deschanel  45:01

Yeah, the possibilities.

 

Carla Gallo  45:02

Yes, it’s pretty exciting.

 

Emily Deschanel  45:04

Thanks for the question. @Kate’s mixed Insta 1812. Was she born in 1812?

 

Carla Gallo  45:12

I doubt. So I’d like to meet you and ask what’s your date birth.

 

Emily Deschanel  45:16

I saw you’re oldest person alive.

 

Carla Gallo  45:18

That’s my question for you.

 

Emily Deschanel  45:20

And how did you figure out how to use Instagram?

 

Carla Gallo  45:23

That’s why she’s so old. Well, thank you very much for the question.

 

Emily Deschanel  45:27

Thank you.

 

Carla Gallo  45:27

And please bring on the questions. We like answering them.

 

Emily Deschanel  45:31

Bring it on.

 

Carla Gallo  45:38

Well, this has been a delight.

 

Emily Deschanel  45:41

Total delight.

 

Carla Gallo  45:42

A total delight.

 

Emily Deschanel  45:42

Once again.

 

Carla Gallo  45:43

As always. 104 in the cam.

 

CREDITS  45:52

Boneheads is a production of Lemonada Media and us. Our producer is Alex McOwen. Our engineers are Brian Castillo and Noah Smith. Our senior vice president of weekly content is Steve Nelson.  Our executive producers are Stephanie Wittels Wachs, Jessica Cordova Kramer and us; Emily Deschanel and Carla Gallo. Music by Doug Paisley. Special thanks to Allison Bresnick. To stay up to date with us and submit your listener questions. Follow us on Instagram @BoneheadsPod and at Lemonada Media on all social channels. Follow Boneheads wherever you get your podcasts, or listen ad free on Amazon music with your Prime membership. Thanks so much for listening.

 

Emily Deschanel  46:33

Thanks so much for listening.

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